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" "Close friends are truly life's treasures. Sometimes they know us better than we know ourselves. With gentle honesty, they are there to guide and support us, to share our laughter and our tears. Their presence reminds us that we are never really alone.
Vincent Willem van Gogh (30 March 1853 – 29 July 1890) was a Dutch Post-Impressionist painter who posthumously became one of the most famous and influential figures in Western art history. In a decade, he created about 2,100 artworks, including around 860 oil paintings, most of which date from the last two years of his life. They include landscapes, still lifes, portraits, and self-portraits, and are characterised by bold colours and dramatic, impulsive and expressive brushwork that contributed to the foundations of modern art. Not commercially successful, he struggled with severe depression and poverty, eventually leading to his suicide at age thirty-seven.
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And although it was in a hospital that she lay and I sat next to her — it is always that eternal poetry of Christmas night with the infant in the stable, as the old Dutch painters conceived it and MIllet and Breton — a light in the darkness, the brightness in the middle of a dark night. And so I hung a large etching after Rembrandt over it, the two women by the cradle, one of them reading from the Bible by candlelight, while the great shadows cast a deep chiaroscuro over the whole room.
Those who love much, do much and accomplish much, and whatever is done with love is done well.... Love is the best and noblest thing in the human heart, especially when it is tested by life as gold is tested by fire. Happy is he who has loved much, and although he may have wavered and doubted, he has kept that divine spark alive and returned to what was in the beginning and ever shall be.
If only one keeps loving faithfully what is truly worth loving and does not squander one's love on trivial and insignificant and meaningless things then one will gradually obtain more light and grow stronger.
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I have had no “guidance or teaching” from others to speak of, but taught myself; no wonder my technique, considered superficially, differs from that of others. But that’s no reason for my work to remain unsaleable. I feel pretty sure that the large “Sorrow,” “The Old Woman of the Geest,” the “Old Man,” and others, will find a purchaser someday.