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Ships, houses, mills... in one word everything that is made by people must stand upright and be painted with care. This is actually a good presentati… - Willem Roelofs
" "Ships, houses, mills... in one word everything that is made by people must stand upright and be painted with care. This is actually a good presentation compared to other, less symmetrical things, like the trees, skies, etc. It doesn't create the painting, but it certainly strengthen the illusion. It's just like somebody who is neatly dressed, but whose tie is coming off. The windows of a house must be straight, a mill in a pure construction, the blades well-positioned in perspective. (translation from original Dutch: Fons Heijnsbroek)
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About Willem Roelofs
Willem Roelofs (Amsterdam, 10 March 1822 – Berchem, 12 May 1897) was a Dutch painter, water-colourist, etcher, lithographer and draughtsman. He was one of the forerunners of the Dutch The Hague school, after a short period painting in the Dutch Romantic movement, c. 1840-50's.
Also Known As
Alternative Names:
Willem (I) Roelofs
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Willem Roelofs (I)
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Roelofs
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W. Roelufs
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W. Roelofs
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Willem Roeloefs
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wilhelm roelofs
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willem roelofs
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M. Roelofs
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Additional quotes by Willem Roelofs
(original Dutch: citaat van Willem Roelofs, in het Nederlands:) Het speet mij voor alle door U zoo ijverig aangewende moeite te vergeefsch is geweest, om hem van een der schilderijen in 'Arti' [in Amsterdam] af te helpen. Zou er geen kans bestaan om voor hem eens een klein gesoigneerd (door mij, als het helpen kan, gerugsteund) schilderij te bestellen voor den een of ander? Hij verdient het zoo dubbel en een honderd guldens kunnen op sommige oogenblikken zoo véél doen.
(original Dutch: citaat van Willem Roelofs, in het Nederlands:) Ik heb mij op uw verlangen toegelegd er meer effect in te brengen.. ..met méér licht in een teekening [= aquarel] te brengen, [wat] niet van de minst moeijelijke was.. ..[deze bewerking] heeft kwade oogenblikken doorstaan; maar ik geloof meester gebleven te zijn van het terrein en er eene Teekening [aquarel] van aspect [?] en kleur gemaakt te hebben.
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Paint studies of parts, for instance a piece of land, a group of trees or things like that, but always in a way that people can understand these things in relation with the whole landscape, by adding behind that group of trees the air in a right tone color and thereby in connection with the trees.. .Furthermore studies of a whole, preferably very simple subjects - A meadow with horizon and a piece of air to examine further the general tone color, the harmony of the whole.. ..and study nature even more by thinking about it than working after it. (translation from original Dutch: Fons Heijnsbroek)
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