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"There was a pretty prince of Troy named Paris. He and a Greek queen ran off together. Her husband called the other kings of Greece together, and they went to Troy, a great army in a thousand beaked ships, to get the woman back. Helen was her name." "What did they want her back for?" "Her husband's honor demanded it." "I should think his honor demanded that he divorce her and find himself a decent wife." "Lavinia, these people were Greeks."
The ancient theory of heroic genealogy... reflects paternity at two levels: human and divine. A man's inheritance comes from his human father, but his qualitative superiority among mortals comes from his divine father. When Odysseus is called Zeus-born (diognēs) this does not mean that the poet has forgotten... that he is the son of human Laertes. ...Zeus is often described as impregnating noble ladies, not so much to gratify his lust for women, but because divine parentage was a necessity among the claims of the aristocracy. Odysseus is a superhuman because he is diogenēs; but he is king of Ithaca because of his human father Laertes. Jesus is divine because of his heavenly Father; but he derives his kingship of the Jews from the mortal Joseph, who was heir to the throne (Matthew I). While normative Judaism has has tried to strip the Old Testament of this phenomenon, vestiges have nevertheless remained in the text.
No authority could have been strong enough to persuade the Grecian army [of Alexander] that their gods and their hero-ancestors were the same as those of [the Indian] King Porus, or to convince the English soldier that the same blood was running in his veins, as in the veins of the dark Bengalese. And yet there is not an English jury now-a-days, which, after examining the hoary documents of language, would reject the claim of a common descent and a legitimate relationship between Hindu, Greek, and Teuton. Many words still live in India and in England that witnessed the first separation of the northern and southern Arians, and these are witnesses not to be shaken by any cross-examination. The terms for God, for house, for father, mother, son, daughter, for dog and cow, for heart and tears, for axe and tree, identical in all the Indo-European idioms, are like the watch- words of an army. We challenge the seeming stranger, and whether he answer with the lips of a Greek, a German, or an Indian, we recognize him as one of ourselves. Though the historian may shake his head, though the physiologist may doubt, and the poet scorn the idea, all must yield before the facts furnished by language. There was a time when the ancestors of the Celts, the Germans, the Slaves [sic], the Greeks and Italians, the Persians and Hindus, were living together beneath the same roof, separate from the ancestors of the Semitic and Turanian races.
The greatest hero of Greece was Hercules. He was a personage of quite another order from the great hero of Athens, Theseus. He was what all Greece, except Athens, most admired. The Athenians were different from the other Greeks, and their hero therefore was different. Theseus was, of course, bravest of the brave, as all heroes are; but, unlike other heroes, he was as compassionate as he was brave, and a man of great intellect as well as great bodily strength. It was natural that the Athenians should have such a hero, because they valued thought and ideas, as no other part of the country did. In Theseus their ideal was embodied. But Hercules embodied what the rest of Greece most valued. His qualities were those the Greeks in general honored and admired. Except for unflinching courage, they were not those that distinguished Theseus. Hercules was the strongest man on earth, and he had the supreme self-confidence magnificent physical strength gives. He considered himself on an equality with the gods.
Apollodorus, the leading classical authority on Greek myths, records a tradition that the real scene of the poem was the Sicilian seaboard, and in 1896 Samuel Butler, the author of Erewhon, came independently to the same conclusion. He suggested that the poem, as we now have it, was composed at Drepanum, the modern Trapani, in Western Sicily, and that the authoress was the girl self-portrayed as Nausicaa. None of his classical contemporaries, for whom Homer was necessarily both blind and bearded, deigned to pay Butler’s theory the least attention; and since he had, as we now know, dated the poem some three hundred years too early and not explained how a Sicilian princess could have passed off her saga as Homer’s, his two books on the subject are generally dismissed as a good-humoured joke. Nevertheless, while working on an explanatory dictionary of Greek myths, I found Butler’s arguments for a Western Sicilian setting and for a female authorship irrefutable. I could not rest until I had written this novel. It re-creates, from internal and external evidence, the circumstances which induced Nausicaa to write the Odyssey, and suggest how, as an honorary Daughter of Homer, she managed to get it included in the official canon. Here is the story of a high-spirited and religious-minded Sicilian girl who saves her father’s throne from usurpation, herself from a distasteful marriage, and her two younger brothers from butchery by boldly making things happen, instead of sitting still and hoping for the best.
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