the poem I wrote for my daughter is a warning that to deny your heritage is to deny half of your humanity. - Judith Ortiz Cofer

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the poem I wrote for my daughter is a warning that to deny your heritage is to deny half of your humanity.

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About Judith Ortiz Cofer

Judith Ortiz Cofer (February 24, 1952 – December 30, 2016) was a Puerto Rican writer. Her critically acclaimed and award-winning work spans a range of literary genres including poetry, short stories, autobiography, essays, and young-adult fiction. Ortiz Cofer was the Emeritus Regents' and Franklin Professor of English and Creative Writing at the University of Georgia, where she taught undergraduate and graduate creative writing workshops for 26 years. In 2010, Ortiz Cofer was inducted into the Georgia Writers Hall of Fame, and in 2013, she won the University's 2014 Southeastern Conference Faculty Achievement Award.

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Additional quotes by Judith Ortiz Cofer

I think that poetry, in general, after a certain point in a poet's life, has to do with the acknowledgment of mortality. And even the most joyful poems have to do with, "Yes, let's not forget that life is brief." Once I started dealing with grief in poetry, I discovered that I had found my way to poetry. I think that so many young poets are only writing about the joy of love and that sort of thing and don't understand that the great poetry, like Dylan Thomas's "Do Not Go Gentle" and like Wordsworth's "Intimations" and "Tintern Abby," has all been a moment when the poet realizes that "this is my time to express what I have gathered in this brief life."

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Mixed cultural signals have perpetuated certain stereotypes-for example, that of the Hispanic woman as the "Hot Tamale" or sexual firebrand. It is a one-dimensional view that the media have found easy to promote. In their special vocabulary, advertisers have designated "sizzling" and "smoldering" as the adjectives of choice for describing not only the foods but also the women of Latin America. From conversations in my house, I recall hearing about the harassment that Puerto Rican women endured in factories where the "bossmen" talked to them as if sexual innuendo was all they understood, and worse, often gave them the choice of submitting to advances or being fired.

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