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So to get these things, you have to build credibility, and you have to do it under your own name as much as possible, which is risky. So, accountability is a double-edged thing. It allows you to take credit when things go well and to bear the brunt of the failure when things go badly. [78]

The acceptance of ambiguity implies more than the commonplace understanding that some good things and some bad things happen to us. It means that we know that good and evil are inextricably intermixed in human affairs; that they contain, and sometimes embrace, their opposites; that success may involve failure of a different kind, and failure may be a kind of triumph.

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How dare Huckabee say that school is where we don’t want to talk about eternity, life, responsibility, or accountability. I do want to talk about those things -where religion does not. Why? Because religion offers a way to deny accountability for anything. Reverse the burden of proof. Assert as fact that which is not evidently true. Don’t have a basis for any claim; assume your conclusions on the veracity of your own conviction unsupported by anything, or on citation of any false-authority who’s comments you can present as though they agree with you. Announce in advance that you will never admit when you’re wrong; that you will continue to defend your biased preconceptions to the automatic rejection –without consideration- of any evidence or arguments that will ever arise to the contrary. This is what every creationist organization says in their ‘statement of faith’. Look them up. This is where they openly admit that they have no accountability.

An ambiguity, in ordinary speech, means something very pronounced, and as a rule witty or deceitful....any verbal nuance, however slight, which gives room for alternative reactions to the same piece of language.

Certainty is the enemy of growth. Nothing is for certain until it has already happened — and even then, it’s still debatable. That’s why accepting the inevitable imperfections of our values is necessary for any growth to take place.

For a viewer to think the custodian was trying to break free is the exact opposite of what the scene was supposed to convey. There is nothing gained from that kind of ambiguity. Ambiguity is not desirable or meaningful if it confuses an issue that is meant to be clear. This is the challenge of making a film that communicates but doesn't talk down: a lot of viewers and studio execs (and directors) hold that ANY ambiguity is the result of the filmmaker's failure. I disagree, but I also hold that, in order for ambiguity to be effective, certain things NEED to be unambiguous. For example, if it wasn't clear that Judy on the stage is the same character as Judy who'd invited Aeon to the Hostess' lair, then that's just bad execution. If the episode had been finished and seen in a version say, where we don't see her face drawn correctly, and viewers weren't sure it was the same character, they may wonder about things irrelevant to the story's themes, such as "do the custodians alter the appearance of their hosts", or "Trevor is masquerading a different person who is playing the role of Judy on the stage", etc, all of which does not help the story. Thinking that the custodian had a will of its own and wanted to break free is the same type of undesired speculation.

The enemy of execution is complexity.

The notion of ambiguity must not be confused with that of absurdity. To declare that existence is absurd is to deny that it can ever be given a meaning; so to say it is ambiguous is to assert that it's meaning is never fixed, that it must be constantly won. Absurdity challenges every ethics; but also the finished rationalization of the real would leave no room for ethics; it is because man's condition is ambiguous that he seeks, through failure & outrageousness, to save his existence.

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