Sometimes I think it sounds like I walked out of the room and left the typewriter running.

("Do you write when you have to? Or when do you write?") GP: I write all the time, in a way. I'm not a very disciplined person. I write. I wrote yesterday, a little. Writing is a habit, among other things, and if you're a writer you'd better get into the habit. A lot of people don't realize that. When I'm writing a story then I'm really writing all the time, wholly involved in it. When I'm not writing a story, I'm still thinking....Susan Sontag once said that she can't wait to get to a typewriter so she'll know what she thinks! And that's true for most writers, that you really have gotten this habit of thinking on paper. Until you do that all you have is a lot of junk in your head, a lot of stuff swirling around, and the paper is the place where you really begin to think. (1979)

I don't have the feeling that I write my books. I have the feeling that my books get written through me and once they have got across me I feel empty and nothing is left.

(Could you describe your writing process?) Well, I explained it one time, on radio, as the sensation of being sick in your stomach, in that you suddenly have to throw up, suddenly, you have to vomit. There is no way you can stop it. It has to happen. It's a bodily process in which the material is expelling itself from your body. That's what it feels like to me in a mental or emotional way. Suddenly it's there and it has to be expelled. It's going to come out whether I want it to or not. If I don't have something to write on, it comes out of my mouth. It's got to come out one way or another.

Of course I can’t write all the time. Some days I sit and sit and SIT at my machines and not a word will come. But I sit there and if it is possible I write something, it doesn’t matter what. The next day I may have to tear it up, but often what I think is very poor the first day turns out to be usable in spots.

Unless I have something already moving through the mind, I don’t go to the typewriter at all. The world has so many poems in it, it has never seemed to me very smart to force one more upon the world. If there isn’t one there to write, you just leave it alone.

It took time to learn that the hard thing about writing is to let the story write itself, while one sits at the typewriter and does as little thinking as possible. It happened over and over again, and the beginner learned — when you start puzzling over an idea, and slowing down on the keys, the writing gets worse and worse.

That's the marvelous thing about the writing process: you don't know when and how a memory, a scrap of conversation overheard, an allusion or image, is suddenly going to surface and work itself into your story. (1996)

People on the outside think there’s something magical about writing, that you go up in the attic at midnight and cast the bones and come down in the morning with a story, but it isn’t like that. You sit in back of the typewriter and you work, and that’s all there is to it.

I wake up from dreams and go, 'Wow, put this down on paper.' The whole thing is strange. You hear the words, everything is right there in front of your face. And you say to yourself, 'I'm sorry, I just didn't write this. It's there already.' That's why I hate to take credit for the songs I've written. I feel that somewhere, someplace, it's been done and I'm just a courier bringing it into the world. I really believe that. I love what I do. I'm happy at what I do. It's escapism.

My writing process is generally a bit haphazard. I carry notebooks around to capture ideas, observations, phrases, images, chunks of freewriting. I shift to the computer to do more substantive writing and work on craft issues. I always generate multiple drafts of pieces (keeping all drafts in a separate folder), and often experiment with form in different versions to see what fits the text best.

Writing is often the process by which you realize that you do not understand what you are talking about.

What I wrote seemed to me more essentially myself than anything I did or said. It often gushed up almost involuntarily like automatic writing, and the difficulty lay in keeping the hot gush continuous and unselfconscious while at the same time directing it with cold intellect into form. I never could write in cold blood. The results were intensely personal, whatever their other defects. (Ch. 12, on writing poetry)

Here's the great thing about writing: you don't have to do it. All you have to do is not do anything else in that time frame. So: you put your idea down and... now, you don't have to do anything. You just sit there and you eventually will realize "There's a problem here." Right? And your brain will naturally try and solve the problem, and the next thing you know, you're writing! So, it's not about forcing yourself to write; it's about creating a -- what do we call it? -- a "discrete space". Is that the right word? So, that's how you write: create a place and time where that's what's happening... but you don't have to write! Just be there with the problem.