The revolution of Mizrahi artists in Israel is really exciting and something I craved as a child, growing up without seeing myself portrayed in liter… - Ayelet Tsabari

I never read Mizrahi writers or writers of color growing up, and never found myself or my family reflected in the books they assigned to us in school. I actually believed that there were no published Yemeni writers in Israel (of course they existed but I didn’t know that, because they had not received media attention, and were not taught in schools). It made me feel as though our stories weren’t worth telling and as though my dream of becoming a writer myself was far-fetched. The exclusion of Mizrahi writers (and Palestinian writers) in the school curriculum, to me, is an act of erasure that has yet to be rectified, and one which puts limitations on children’s dreams. It infuriates me. So as a result, my favorite poets growing up were all male and Ashkenazi, like Yehuda Amichai (whom I still love), Natan Zach, David Avidan. (2016)

Being away from home and its prejudice toward the Arabic language allowed my body to remember Arabic, lament what was lost, and reclaim my own Arabness.

Years later, when they are old, sitting on a porch somewhere overlooking the sea, someone would ask them how it all started, and he'd say, as soon as he saw her on the other side of the drinking fountain at the immigrant camp, he knew. (first lines of book)