But, to return to my design, what power was it that drew those stony, oaken, and wild people into cities but flattery? For nothing else is signified by Amphion and Orpheus' harp. What was it that, when the common people of Rome were like to have destroyed all by their mutiny, reduced them to obedience? Was it a philosophical oration? Least. But a ridiculous and childish fable of the belly and the rest of the members. And as good success had Themistocles in his of the fox and hedgehog. What wise man's oration could ever have done so much with the people as Sertorius' invention of his white hind? Or his ridiculous emblem of pulling off a horse's tail hair by hair? Or as Lycurgus his example of his two whelps? To say nothing of Minos and Numa, both which ruled their foolish multitudes with fabulous inventions; with which kind of toys that great and powerful beast, the people, are led anyway.

It was all connected, this poetics of listening, word making, and dancing. There was power to transform, to lighten the heaviness of the burden of being human. That's how I came to understand the power of poetry and music. It was a tool, but more than a tool. Words and music evoked a state of mind that lifted us up when racial and historical despair threatened.

The sculptors of the cathedral porches of the Middle Ages already knew that we can identify many legendary figures by their attributes, not their physical appearance. How is one to recognize Orpheus without his lyre, or Saint Lawrence without his grid? At the same time it seems a bit absurd, In an art that claims to be realistic, to have Orpheus always carrying his lyre, like a German businessman his briefcase. There must have been moments when Orpheus and Saint Lawrence left their lyre or their grid at the checkroom, for instance.. [c. 1960, in France]

Understanding breeds empathy.

Understanding begets empathy and compassion even for the meanest beggar - Oromis

Man masters nature not by force, but by understanding

Not only was Thebes built by the music of an Orpheus; but without the music of some inspired Orpheus was no city ever built, no work that man glories-in ever done.

Power,” he wrote, “always thinks it has a great soul and vast views beyond the comprehension of the weak; and that it is doing God’s service when it is violating all His laws. Our passions, ambitions, avarice, love and resentment, etc., possess so much metaphysical subtlety and so much overpowering eloquence that they insinuate themselves into the understanding and the conscience and convert both to their party.

Power turns pure being into a having.

Understanding is a kind of ecstasy

Music was an art fostered by the mightiest of heroes. Achilles is represented as entertaining himself with his lyre. (Iliad 9: 185-6). We compare David, the warrior skilled in poetry, singing and musical instruments.

At first, I thought I had found in this second figure [a bronze Orpheus, Zadkine made shortly after his return from New York to Paris, in 1944] the perfect solution, but a surprise awaited me. One day my coal merchant delivered to me, here in my studio, some wood for heating; among these logs I found a rudimentary but completely mysterious wooden figure of a man. He seemed to be walking in great strides, his torso suggested by only two simple boards which, in their structure, were very much like an ancient lyre. I immediately began working on a new 'Orpheus', in which the [music-]instrument had truly become part of the man. [c. 1960]

Maybe you are too understanding. Stay that way. Empathy is a super power.

Man masters nature not by force but by understanding.