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Elegance tends to be mistaken for superficiality and mere appearance. Nothing could be further from the truth: some words are elegant, others can wound and destroy, but all are written with the same letters. Flowers are elegant, even when hidden among the grasses in a meadow. The gazelle when it runs is elegant, even when it is fleeing from a lion. Elegance is not an outer quality, but a part of the soul that is visible to others... Elegance lies not in the clothes we wear, but in the way we wear them... It isn’t in the way we wield a sword, but in the dialogue we hold that could avoid a war. But every tribe, every people, has values that they associate with elegance: hospitality, respect, good manners.

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It is important to emphasize the value of simplicity and elegance, for complexity has a way of compounding difficulties and as we have seen, creating mistakes. My definition of elegance is the achievement of a given functionality with a minimum of mechanism and a maximum of clarity.

Elegance is necessarily unnatural, only achieveable at great expense. If you just do something, it won't be elegant, but if you do it and then see what might be more elegant, and do it again, you might, after an unknown number of iterations, get something that is very elegant.

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Es como la elegancia, mi María, que está en el buen gusto, y no en el costo. La elegancia del vestido,-la grande y verdadera,-está en la altivez y fortaleza del alma. Un alma honrada, inteligente y libre, da al cuerpo más elegancia, y más poderío a la mujer, que las modas más ricas de las tiendas. Mucha tienda, poca alma. Quien tiene mucho adentro, necesita poco afuera. Quien lleva mucho afuera, tiene poco adentro, y quiere disimular lo poco. Quien siente su belleza, la belleza interior, no busca afuera belleza prestada: se sabe hermosa, y la belleza hecha echa luz.

Arrogance attracts hatred and envy. Elegance arouses respect and Love. Arrogance causes us to humiliate our fellow man or woman. Elegance teaches us to walk in the light. Arrogance complicates words, because it believes that intelligence is only for the chosen few. Elegance transforms complex thoughts into something that everyone can understand.

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Elegance requires that the number of defining equations be small. Five is better than ten, and one is better than five. On this score, one might facetiously say that String Theory is the ultimate epitome of elegance. With all the years that String Theory has been studied, no one has found even a single defining equation! The number at present count is zero. We know neither what the fundamental equations of the theory are nor even if it has any.

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For us to deem a work of architecture elegant, it is hence not enough that it look simple: we must feel that the simplicity it displays has been hard won, that it flows from the resolution of demanding technical or natural predicament. Thus we call the Shaker staircase in Pleasant Hill elegant because we know — without ever having constructed one ourselves — that a staircase is a site complexity, and that combinations of treads, risers and banisters rarely approach the sober intelligibility of the Sharkers' work. We deem a modern Swiss house elegant because we not how seamlessly its windows have been joined to their concrete walls, and how neatly the usual clutter of construction has been resolved away. We admire starkly simple works that we intuit would, without immense effort, have appeared very complicated. (p 209)

Our attraction to that quality which we have come to call 'beauty', and which we associate with the detection of innate unity and harmony in the face of superficial diversity, has led us to expect that the unity of the Universe should be expressed in certain particular ways. If we are physicists we might often hear talk of the 'beauty' or 'elegance' of particular ideas or theories to such an extent that, like Dirac, *we make aesthetic quality a guide or even a prerequisite for the formulation of correct mathematical theories of nature.

I have a different idea of elegance. I don't dress like a fop, it's true, but my moral grooming is impeccable. I never appear in public with a soiled conscience, a tarnished honor, threadbare scruples, or an insult that I haven't washed away. I'm always immaculately clean, adorned with independence and frankness. I may not cut a stylish figure, but I hold my soul erect. I wear my deeds as ribbons, my wit is sharper then the finest mustache, and when I walk among men I make truths ring like spurs.

I think that natural truths will cease to be spat at us like insults, that aesthetics will once more be linked with ethics, and that people will become aware that in casting out aesthetics that they also cast out a respect for human life, a respect for creation, a respect for spiritual values. Aesthetics was an expression of man's need to be in love with his world. The cult of ugliness is a regression. It destroys our appetite, our love for our world.

Physicists have been drawn to elegant mathematical relationships that bind the subject together with economy and style, melding disparate qualities in subtle and harmonious ways. But this is to import a new factor into the argument—questions of aesthetics and taste. We are then on shaky ground indeed. It may be that M theory looks beautiful to its creators, but ugly to N theorists, who think that their theory is the most elegant. But then the O theorists disagree with both groups...

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