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'Twas the saying of [Georgias Leontinus apud Arist. Rhetor. lib. 3. cap. 18… which the Translator renders, Seria Risu, Risum Seriis discutere] an ancient sage that humour was the only test of gravity, and gravity of humour. For a subject which would not bear raillery was suspicious; and a jest which would not bear a serious examination was certainly false wit.
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Does it really take any considerable time or effort just to understand that you depend on enemies and outsiders to define yourself, and that without some opposition you would be lost? To see this is to acquire, almost instantly, the virtue of humor, and humor and self-righteousness are mutually exclusive. Humor is the twinkle in the eye of a just judge, who knows that he is also the felon in the dock. How could he be sitting there in stately judgment, being addressed as “Your Honor” or “Mi Lud,” without those poor bastards being dragged before him day after day? It does not undermine his work and his function to recognize this.
Sometimes, in his wild way of talking, he would say, that Gravity was an errant scoundrel, and he would add, — of the most dangerous kind too, — because a sly one; and that he verily believed, more honest, well-meaning people were bubbled out of their goods and money by it in one twelve-month, than by pocket-picking and shop-lifting in seven. In the naked temper which a merry heart discovered, he would say there was no danger, — but to itself: — whereas the very essence of gravity was design, and consequently deceit; — ’twas a taught trick to gain credit of the world for more sense and knowledge than a man was worth; and that, with all its pretensions, — it was no better, but often worse, than what a French wit had long ago defined it, — viz. A mysterious carriage of the body to cover the defects of the mind; — which definition of gravity, Yorick, with great imprudence, would say, deserved to be wrote in letters of gold.
There’s only one true test of a comedy, and that’s outright laughter. I don’t care how beautiful the lighting is, how superlative the script is, how wonderful the performances are. If you’re making a comedy and the audience isn’t falling down, holding their bellies, screaming with laughter, you’ve probably got a failure. First laughter and then everything else.
The final test of truth is ridicule. Very few dogmas have ever faced it and survived. Huxley laughed the devils out of the Gadarene swine. Not the laws of the United States but the mother-in-law joke brought the Mormons to surrender. Not the horror of it but the absurdity of it killed the doctrine of infant damnation. But the razor edge of ridicule is turned by the tough hide of truth. How loudly the barber-surgeons laughed at Huxley—and how vainly! What clown ever brought down the house like Galileo? Or Columbus? Or Darwin? . . . They are laughing at Nietzsche yet . . .
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