It was fatal news: the sudden death of our boy, a three-day illness ended his life. What is our house empty.. .,which for eight years [age of their s… - Hendrik Willem Mesdag

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It was fatal news: the sudden death of our boy, a three-day illness ended his life. What is our house empty.. .,which for eight years [age of their son] was the illusion of our lives. Fortunately for us that we love art and let us hope that we [Mesdag and Sientje, his wife] continue to dedicate our lives to our painting, which has given me already so much pleasure.. (translation from original Dutch: Fons Heijnsbroek)

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About Hendrik Willem Mesdag

Hendrik Willem Mesdag (23 February 1831 – 10 July 1915) was a Dutch marine painter and important artist of the Hague School. seascapes and views of the beach at Scheveningen with fishing boats. In The Hague he painted the famous Panorama Mesdag with the support of his wife Sientje Mesdag van Houten and some other young artists.

Also Known As

Alternative Names: H. W. Mesdag Henrik Willem Mesdag Hendrik Mesdag Hendrick Willem Mezdag Henrik William Mesdag h.w. mesdag Hendrik Wilhelm Mesdag Henrick Willem Mesdag Mesdag henrik willem mesdag mesdag h.w. mesdag hendrik willem W. Mesdag Hendrik Willem Mesdag (1831–1915) Mesdag, H.W. (Hendrik Willem) Mesdag, Hendrik Willem, 1831–1915
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Additional quotes by Hendrik Willem Mesdag

..at home [in Brussels, 1869] I was messing around all winter long with a painting; it was a coast, but painted so primitive. Then I said: you must see the sea in front of you, every day, you have to live with it, otherwise it doesn't work. Then we went to The Hague. (translation from original Dutch: Fons Heijnsbroek)

And you know, if my wife haven't said some forty years ago: do it, let's go to Brussels to study painting, [with a. o. Willem Roelofs ], then I probably would never have left my business [in banking]. (translation from original Dutch: Fons Heijnsbroek)

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Those two [ Alma Tadema and Roelofs, teaching both Mesdag in Brussels, 1867-69] instructed in exactly the opposite way, you know. For example, Roelofs used to say: you must put more color in that drawing [often meant: watercolor]. And you didn't always saw it yourself in a moment, because you were not yet that far and as high as the master himself was. But Tadema did something completely different; he had more the manners of a professor, who gave his lectures. So Roelofs and he actually complemented each other. (translation from original Dutch: Fons Heijnsbroek)

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