In 1973 I suddenly came into major private problems. I was completely thrown back on myself. Then I found those trousers between the old stuff. A wor… - Jopie Huisman

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In 1973 I suddenly came into major private problems. I was completely thrown back on myself. Then I found those trousers between the old stuff. A worn-out, eighty times repaired, filthy pair of pants of a milker. I saw myself in it, it reflected the state of my soul. Then I took it with me and painted it [title: Pants of a cow milker]. Moreover because other because people recognized themselves in it, this has become my salvation. I found back my identity through it. As a matter of fact a self-portrait. (translation, Fons Heijnsbroek, 2018)

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About Jopie Huisman

(Workum, 18 October 1922 - 29 September 2000) was a self-taught Dutch painter and draftsman. He is best known for his portraits and for the still-life's with as their subject selected rags and old stuff, Huisman was buying up stuff as professional rag man in Workum and from 1963 in Herbayum; both are villages in Friesland.

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version in original Dutch / citaat van Jopie Huisman, in het Nederlands: In 1946 zag ik voor het eerst een Van Gogh, uit z'n Franse tijd. Dàt was wat ik hier [in Friesland] altijd gevoeld had: de oneindigheid, het onvoorstelbare. Ik was verbouwereerd, [en] dacht: wie is hier in godsnaam bezig geweest? Roze strepen in een groene lucht, moet je es nagaan. Ultramarijn en karmijn in de bodem, een grote gele zon erachter..

I used to paint some things a few times, but I stopped, because I didn't get an answer. If the work has nothing to say to somebody else, I quit. I am not an idiot who is talking to himself and gazing at the tip of his brush. Painting you do together. (translation, Fons Heijnsbroek, 2018)

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..because of self-preservation, selfishness and the urge for happiness love has prevailed in me, and in that way everything becomes enchanted and even an old dirty, discarded doll transforms in something that can move you. The attention I gave it [in his painting: 'Rag doll', 1975], together with the attention you give it, ensure that it is no longer doomed, not alone any more. If there is any background connected to my artwork, it is this. (translation, Fons Heijnsbroek, 2018)

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