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"Yet it is worth noting that in this example we never witness a complete desacralization of the world, for in the Far East what is called the "esthetic emotion" still retains a religious dimension, even among intellectuals. But the example of the miniature gardens shows us in what direction and by what means the desacralization of the world is accomplished. We need only imagine what an esthetic emotion of this sort could become in a modern society, and we shall understand how the experience of cosmic sanctity can be rarefied and transformed until it becomes a purely human emotion — that, for example, of art for art's sake."
Mircea Eliade (13 March 1907 {O.S. 28 February} – 22 April 1986) was a Romanian historian of religion, fiction writer, philosopher, and professor at the University of Chicago. His most enduring and influential contribution to religious studies was possibly his theory of Eternal Return, which holds that myths and rituals do not simply record or imitate hierophanies, but, at least to the minds of the religious, actually participate in them.
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"Le mythe, écrit Mircea Eliade, "raconte une histoire sacrée; il relate un événement qui a eu lieu dans le temps primordial, le temps fabuleux des commencements. Autrement dit, le mythe raconte comment, grâce aux exploits des Etres surnaturels, une réalité est venue à l'existence, que ce soit la réalité totale: le cosmos,, ou seulement un fragment: une île, une espèce végétale, un comportement humain, une institution. C'est donc toujours le récit d'une "création": on rapporte comment quelque chose a été produit, a commencé à être" ("Aspects du mythe")."
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"It is above all the valorizing of the present that requires emphasizing. The simple fact of existing, of living in time, can comprise a religious dimension. This dimension is not always obvious, since sacrality is in a sense camouflaged in the immediate, in the "natural" and the everyday. The joy of life discovered by the Greeks is not a profane type of enjoyment: it reveals the bliss of existing, of sharing — even fugitively — in the spontaneity of life and the majesty of the world. Like so many others before and after them, the Greeks learned that the surest way to escape from time is to exploit the wealth, at first sight impossible to suspect, of the lived instant."