Dar cel care a cunoscut unirea aceea de neînțeles pentru experiența și mintea omenească, știe că de la un anumit nivel viața nu mai are sfârșit, că omul moare pentru că e singur, e despărțit, despicat în două, dar că printr-o mare îmbrățișare se regăsește pe sine într-o ființă cosmică, autonomă și eternă.
Romanian-American historian, writer, philosopher and professor at the University of Chicago (1907–1986)
Mircea Eliade (13 March 1907 {O.S. 28 February} – 22 April 1986) was a Romanian historian of religion, fiction writer, philosopher, and professor at the University of Chicago. His most enduring and influential contribution to religious studies was possibly his theory of Eternal Return, which holds that myths and rituals do not simply record or imitate hierophanies, but, at least to the minds of the religious, actually participate in them.
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Man becomes aware of the sacred because it manifests itself, shows itself, as something wholly different from the profane. To designate the act of manifestation of the sacred, we have proposed the term hierophany. It is a fitting term, because it does not imply anything further; it expresses no more than is implicit in its etymological content, i.e., that something sacred shows itself to us. It could be said that the history of religions — from the most primitive to the most highly developed — is constituted by a great number of hierophanies, by manifestations of sacred realities. From the most elementary hierophany — e.g. manifestation of the sacred in some ordinary object, a stone or a tree — to the supreme hierophany (which, for a Christian, is the incarnation of God in Jesus Christ) there is no solution of continuity. In each case we are confronted by the same mysterious act — the manifestation of something of a wholly different order, a reality that does not belong to our world, in objects that are an integral part of our natural "profane" world.
Deci mutatia a avut loc în epoca — mitica sau nu, putin îmi pasa, eu, ca om de stiinta, nu ma las impresionat de cuvinte — a avut loc în epoca imediat urmatoare izgonirii din Paradis. Pedeapsa de care vorbeste capitolul III din cartea Genezei aceasta a fost: amnezia. Corpul omenesc a uitat pur si simplu ca fusese înzestrat cu o functiune capitala: autoregenerarea celulelor...
These thirty years, and more, that I've spent among exotic, barbaric, indomitable gods and goddesses, nourished on myths, obsessed by symbols, nursed and bewitched by so many images which have come down to me from those submerged worlds, today seem to me to be the stages of a long initiation. Each one of these divine figures, each of these myths or symbols, is connected to a danger that was confronted and overcome. How many times I was almost lost, gone astray in this labyrinth where I risked being killed... These were not only bits of knowledge acquired slowly and leisurely in books, but so many encounters, confrontations, and temptations. I realize perfectly well now all the dangers I skirted during this long quest, and, in the first place, the risk of forgetting that I had a goal... that I wanted to reach a "center".
Perhaps never before in history has the artist been so certain that the more daring, iconoclastic, absurd, and inaccessible he is, the more he will be recognized, praised, spoiled, idolatrized. In some countries the result has even been an academicism in reverse, the academicism of the “avant-garde” - to such a point that any artistic experience that makes no concessions to this new conformism is in danger of being stifled or ignored.