There...is the necessity for freedom of speech and the arts. We have to scrutinize all the advances of society to judge whether they are cruel or frustrate cruelty, and for that purpose we must hear the evidence of all persons affected by their operation and of all persons qualified by experience or learning or speculative gifts to form an interesting opinion on what those operations might be. It is therefore necessary that all classes of men should be given the fullest opportunity to express themselves without constraint, not only out of admiration for an abstraction , but as a practical measure toward human survival. It is also necessary that the artist, of whatsoever kind, should be free to anatomize the spirit, so that we can comprehend the battlefield that is this life, and which are the troops of light and which of darkness, and what light may be, and darkness.

I think restrictions are an essential condition in the fight for freedom of expression. It’s also a source for any kind of creativity.

Freedom of expression is a very essential condition for me to make any art. Also, it is an essential value for my life. I have to protect this right and also to fight for the possibility.

For art to exist, for any sort of aesthetic activity or perception to exist, a certain physiological precondition is indispensable: intoxication.

I have always been interested in the concept of freedom on the personal and universal levels: political freedom, freedom to think and to feel. As an African American living in the United States, obviously issues like segregation laws, the civil rights movement in the 1960s or South Africa have been on my mind when I have dealt with the concept of freedom. But freedom also relates to my career as an artist: freedom of mind, thought and imagination. On the artistic level, freedom was a significant principle in the earlier art movements, such as Surrealism or Abstract Expressionism. More recently, public art focuses on the issue of universal freedom.

If the resistances in one direction are impossible to overcome, then the artist’s invention and powers of expression turn to a goal the way to which is not obstructed, and it is very unusual for him even to be aware of the fact that his achievement is a substitute for the real thing. Even in the most liberal democracy the artist does not move with perfect freedom and unrestraint; even there he is restricted by innumerable considerations foreign to his art. The different measure of freedom may be of the greatest importance for him personally but in principle there is no difference between the dictates of a despot and the conventions of even the most liberal social order. If force in itself were contrary to the spirit of art, perfect works of art could arise only in a state of complete anarchy. But in reality the presuppositions on which the aesthetic quality of a work depends lie beyond the alternative presented by political freedom and compulsion.

Speaking generally Art endevours to reveal what is true and needs to be free. All things said regarding Art are subject to contradiction. An artist whose integrity sustains his strength to make no compromise with expediency is never degraded. His life work will resemble the integrating character of the primaries in the Spectrum. At the beginning, of the middle period, and at the end… I approach drawing solely for structure. I am perhaps the most unpopular artist in England – and only because I am draughtsman first and painter second. Drawing demands a theory of approach, until good drawing becomes habit – it denies all rules. It requires high discipline… Drawing demands freedom, freedom demands liberty to expand in space – this is progress. By the extension of democracy – good draughtsmanship is – Democracy’s visual sign. To draw with integrity replaces bad habits with good, youth preserved from corruption. The hand works at high tension and organises as it simplifies, reducing to barest essentials, stripping all irrelevant matter obstructing the rapidly forming organisation which reveals the design. This is drawing.

An artist must be free to choose what he does, certainly, but he must also never be afraid to do what he might choose

Art is inevitably the expression of external conditions, modified though they be by the genius and personality of the artist.

Art is not a luxury. It stands at the essence of our humanity, and it asks for no special protection except the right to exist.

Art must break the chains, all rules and formulas.

Art is above and beyond judgment. It either speaks to you or it doesn’t. The artist’s only responsibility is to the work itself. There are no other requirements. You’re free to create what you will.

The case is a simple one. A mere increase in the variety of our material consumption relieves the strain imposed upon man by the limits of the material universe, for such variety enables him to utilise a larger proportion of the aggregate of matter. But in proportion as we add to mere variety a higher appreciation of those adaptations of matter which are due to human skill, and which we call Art, we pass outside the limits of matter and are no longer the slaves of roods and acres and a law of diminishing returns. So long as we continue to raise more men who demand more food and clothes and fuel, we are subject to the limitations of the material universe, and what we get ever costs us more and benefits us less. But when we cease to demand more, and begin to demand better, commodities, more delicate, highly finished and harmonious, we can increase the enjoyment without adding to the cost or exhausting the store. What artist would not laugh at the suggestion that the materials of his art, his colours, clay, marble, or what else he wrought in, might fail and his art come to an end? When we are dealing with qualitative, i.e. artistic, goods, we see at once how an infinite expenditure of labour may be given, an infinite satisfaction taken, from the meagrest quantity of matter and space. In proportion as a community comes to substitute a qualitative for a quantitative standard of living, it escapes the limitations imposed by matter upon man. Art knows no restrictions of space or size, and in proportion as we attain the art of living we shall be likewise free.

The development of science and of the creative activities of the spirit requires a freedom that consists in the independence of thought from the restrictions of authoritarian and social prejudice.