Over the years I kept everything and anything from stuff and things that I came across during my life in trade, if they had emotional value to me. Al… - Jopie Huisman
" "Over the years I kept everything and anything from stuff and things that I came across during my life in trade, if they had emotional value to me. Always the simple goods and tools, from the farmers, the blacksmith, the carpenter, the baker and so on. I loved those things most in which I saw reflected the struggle for life very clearly.. ..old used up shoes, trousers, jackets, hats and children's vests, which I found in the rags, often patched up endlessly. (translation, Fons Heijnsbroek, 2018)
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About Jopie Huisman
(Workum, 18 October 1922 - 29 September 2000) was a self-taught Dutch painter and draftsman. He is best known for his portraits and for the still-life's with as their subject selected rags and old stuff, Huisman was buying up stuff as professional rag man in Workum and from 1963 in Herbayum; both are villages in Friesland.
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Additional quotes by Jopie Huisman
version in original Dutch / citaat van Jopie Huisman, in het Nederlands: Maandenlang heb ik aan dit schilderij [titel: 'De steenkruiwagen van C. Adema', 1977] gewerkt en die putemmer bijvoorbeeld op de kruiwagen, heb ik wel twintig keer geschilderd en is precies zo opgebouwd als de natuur hem gevormd heeft. Ik wil het mezelf steeds moeilijker maken. Zo kan het wel – bestaat niet voor mij. Verdieping, daar gaat het om. Ik wil nog eens een keer een schilderijtje zo maken, dat ik haast niet meer kan zien dat het geschilderd is, dat het er gewoon is, zo, zonder meer. Iets heel eenvoudigs.
I feel responsible, because so many people are leaning against me. Of course I can not take that pole away from them, they will fall over. I can see that those people need it! An ongoing struggle, an ordeal - because, if I say something I have to make it happen. In this way, painting is a religious matter. My paintings create a consciousness that offers comfort.. .It must appear in the light. Somebody of eighty years old who never ever would think about visiting a museum. Recognition! (translation, Fons Heijnsbroek, 2018)
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The smaller the world, the better I feel. When the reed is around me, evil has disappeared from the world. I really shall paint the reed next year, I've seriously decided. A small area of reeds with some water under. And then it will appear [on the canvas] exactly in the way it will make one quiet. I will paint it outdoors because I don't have any imagination - by the way, I would find myself very cheeky if I did. I have nothing to add, I have nothing in me and I believe I must be well aware of that because that is my limitation, as a consequence of my temporality. (translation, Fons Heijnsbroek, 2018)
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