we are currently in the midst of reimagining the classics, making the canon more expansive, less white and Eurocentric. Some titles fall off the shel… - Ilan Stavans

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we are currently in the midst of reimagining the classics, making the canon more expansive, less white and Eurocentric. Some titles fall off the shelf as others arrive. Harriet Beecher Stowe’s Uncle Tom’s Cabin, for instance, is, it appears to me, less current than it was a few decades ago. I taught it a couple of years ago, and students found plenty to fault and that is difficult to justify these days. At the same time, the work of immigrant writers—I love the novels by Viet Thanh Nguyen, for instance—is opening new vistas. This is as it should be. Literature, at first sight, might feel static, but it is just the opposite: an organic expression of a particular time and place.

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About Ilan Stavans

Ilan Stavans (born Ilan Stavchansky, 1961) is a writer and academic who born in Mexico and now lives in the USA. He writes and speaks on American, Hispanic, and Jewish cultures.

Also Known As

Alternative Names: Ilan Stavchansky Slomianski

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Translators open the window to the past to welcome fresh air. They are surveyors of what is significant somewhere else and want to bring that significance home. As we make room for new voices from the world, we must diversify the database of translators.

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The relationship we develop with a classic is like a lifelong friendship: it goes through ups and downs. Whenever we reopen the book, we are different, and, as a result, what we read is too. This, I think, is another definition of a literary classic: like a mirror, it reflects what is in front of it.

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