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It appears to [Nietzsche] that the modern age has produced for imitation three types of man … First, Rousseau’s man, the Titan who raises himself … and in his need calls upon holy nature. Then Goethe’s man … a spectator of the world … [Third] Schopenhauer’s man … voluntarily takes upon himself the pain of telling the truth.

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The Ideal Man of the eighteenth century was the Rationalist; of the seventeenth, the Christian Stoic; of the Renaissance, the Free Individual; of the Middle Ages, the Contemplative Saint. And what is our Ideal Man? On what grand and luminous mythological figure does contemporary humanity attempt to model itself? The question is embarrassing. Nobody knows. And, in spite of all the laudable efforts of the Institute for Intellectual Co-operation to fabricate an acceptable Ideal Man for the use of Ministers of Education, nobody, I suspect, will know until such time as a major poet appears upon the scene with the unmistakable revelation. Meanwhile, one must be content to go on piping up for reason and realism and a certain decency.

Yes, man has to be passed and surpassed. Nietzsche did, it is true, realized something of this, in his way. He went so far as to recognize the superman as a new biological variety. But he was not too sure of it. Man is becoming God—that is the simple fact. Man is God in the making.

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there are three kinds of men: those who make it their aim, as they say, to live their lives, eat, drink, make love, grow rich, and famous; then come those who make it their aim not to live their own lives but to concern themselves with the lives of all men – they feel that all men are one and they try to enlighten them, to love them as much as they can and do good to them; finally there are those who aim at living the life of the entire universe – everything, men, animals, trees, stars, we are all one, we are all one substance involved in the same terrible struggle. What struggle?…Turning matter into spirit.

In Nietzsche and [Jakob] Burckhardt the German language had its last great voices of the old Goethean individualism amid the triumphant Bismarck era of statism and mechanized material power. . . . Nietzsche remains unequaled in anticipating out ever-increasing need today for the full, unmechanized personality.

A monk of La Trappe, a French soldier of the Imperial Guard, and a thriving mill-owner, supposing each a type, and no more than a type, of his class, are all interesting specimens of humanity, but narrow ones, — so narrow that even all the three together would not make up a perfect man.

If we endeavor to form our conceptions upon history and life, we remark three classes of men. The first consists of those for whom the chief thing is the qualities of feelings. These men create art. The second consists of the practical men, who carry on the business of the world. They respect nothing but power, and respect power only so far as it [is] exercized. The third class consists of men to whom nothing seems great but reason. If force interests them, it is not in its exertion, but in that it has a reason and a law. For men of the first class, nature is a picture; for men of the second class, it is an opportunity; for men of the third class, it is a cosmos, so admirable, that to penetrate to its ways seems to them the only thing that makes life worth living.

There are three kinds of men. The one that learns by reading. The few who learn by observation. The rest of them have to pee on the electric fence for themselves.

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There are three classes of men; lovers of wisdom, lovers of honor, and lovers of gain.

Nietzsche … argues that all that passes in the life of a society is ephemeral and banausic except for the presence of great personalities, of men like Goethe … who seem to forge their own destinies, who seem to move unhampered by those burdens of existence which keep most men from rising above the vicissitudes of their daily toil.

The Hitler... as dictator of the Reich... has a new personality. He seems to be a disciple of Nietzsche’s Metaphysical divinity – power and the masses of people are to be used as pawns in the chessboard Power Politics.

I regard the two major male archetypes in 20th Century literature as Leopold Bloom and Hannibal Lecter. M.D. Bloom, the perpetual victim, the kind and gentle fellow who finishes last, represented an astonishing breakthrough to new levels of realism in the novel, and also symbolized the view of humanity that hardly anybody could deny c. 1900-1950. History, sociology, economics, psychology et al. confirmed Joyce’s view of Everyman as victim. Bloom, exploited and downtrodden by the Brits for being Irish and rejected by many of the Irish for being Jewish, does indeed epiphanize humanity in the first half of the 20th Century. And he remains a nice guy despite everything that happens... Dr Lecter, my candidate for the male archetype of 1951-2000, will never win any Nice Guy awards, I fear, but he symbolizes our age as totally as Bloom symbolized his. Hannibal's wit, erudition, insight into others, artistic sensitivity, scientific knowledge etc. make him almost a walking one man encyclopedia of Western civilization. As for his "hobbies" as he calls them — well, according to the World Game Institute, since the end of World War II, in which 60,000,000 human beings were murdered by other human beings, 193, 000,000 more humans have been murdered by other humans in brush wars, revolutions, insurrections etc. What better symbol of our age than a serial killer? Hell, can you think of any recent U.S. President who doesn't belong in the Serial Killer Hall of Fame? And their motives make no more sense, and no less sense, than Dr Lecter's Darwinian one-man effort to rid the planet of those he finds outstandingly loutish and uncouth.

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