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" "Myth is an extremely complex cultural reality, which can be approached and interpreted from various and complementary viewpoints. Speaking for myself, the definition that seems least inadequate because most embracing is this: Myth narrates a sacred history; it relates an event that took place in primordial Time, the fabled time of the "beginnings." In other words myth tells how, through the deeds of Supernatural Beings, a reality came into existence, be it the whole of reality, the Cosmos, or only a fragment of reality — an island, a species of plant, a particular kind of human behavior, an institution. Myth, then, is always an account of a "creation"; it relates how something was produced, began to be. Myth tells only of that which really happened, which manifested itself completely. The actors in myths are Supernatural Beings. They are known primarily by what they did in the transcendent times of the "beginnings." hence myths disclose their creative activity and reveal the sacredness (or simply the "supernaturalness") of their works. In short, myths describe the various and sometimes dramatic breakthroughs of the sacred (or the "supernatural") into the World. It is this sudden breakthrough of the sacred that really establishes the World and makes it what it is today. Furthermore, it is as a result of the intervention of Supernatural Beings that man himself is what he is today, a mortal, sexed, and cultural being.
Mircea Eliade (13 March 1907 {O.S. 28 February} – 22 April 1986) was a Romanian historian of religion, fiction writer, philosopher, and professor at the University of Chicago. His most enduring and influential contribution to religious studies was possibly his theory of Eternal Return, which holds that myths and rituals do not simply record or imitate hierophanies, but, at least to the minds of the religious, actually participate in them.
Biography information from Wikiquote
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Printre marile anomalii ale lumii moderne se numără şi faptul că ştiinţa şi filosofia ne învaţă viaţa şi moartea. Gândiţi-vă o clipă la absurditatea acestui lucru: oameni care cunosc viaţa din laborator, o cunosc prin analize, îi cunosc fenomenele ei, şi oameni care gândesc asupra vieţii dintr-un cabinet, tocmai aceştia sunt chemaţi să ne înveţe cel mai esenţial şi cel mai decisiv fapt: existenţa noastră, moartea noastră. De altfel, ei nu fac decât să completeze şi să articuleze experienţele noastre negative, nefiinţa noastră.
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