Like most writers, I wanted to be read. But I also wanted the rest of Canada to know what I and millions of other Jews like me had lived through duri… - Chava Rosenfarb

The family archives were filled with piles of documents reflecting not only the growth of the Zuckerman clan, but also that of the Jewish community in Lodz. And while still a gymnasium student, Samuel had liked to sneak into the cellar and browse among the dusty papers; he was drawn to them not so much by their content as by the breath of generations gone by that reached him through them. At that time, however, he had been too busy with his own growth, with his own pulsating young life, to summon patience for a serious study of his origins. Then he had been merely proud to be so deeply rooted in his city, and it was sufficient for him to know that he could prove the fact at any time. (chapter 1)

I have many times tried to escape the subject of the Holocaust in my writing, but I have never succeeded. No matter which road I take, it invariably leads me back to the destination that I most want to avoid. My personal life and my literary life have forever been divided into two eras, the era before and the era after the Holocaust, and only from this perspective am I capable of viewing both my own life and human history.

What happened after this - that is, after the amazing flowering of Yiddish culture and literature between the two world wars - was a tragedy of unimaginable proportions, when the world experienced the trauma of the Second World War and the Jews of Europe faced mass extinction. Sadly, this too is the history of Yiddish - and it is my own personal history as well. Because my own fate as a writer was so closely dependent on the fate of that beautiful, piquant, tragic language, Yiddish.