Thirst for revenge is the most important source of ressentiment. As we have seen, the very term “ressentiment” indicates that we have to do with reactions which presuppose the previous apprehension of another person's state of mind. The desire for revenge—in contrast with all active and aggressive impulses, be they friendly or hostile—is also such a reactive impulse. It is always preceded by an attack or an injury. Yet it must be clearly distinguished from the impulse for reprisals or self-defense, even when this reaction is accompanied by anger, fury, or indignation. If an animal bites its attacker, this cannot be called “revenge.” Nor does an immediate reprisal against a box on the ear fall under this heading. Revenge is distinguished by two essential characteristics. First of all, the immediate reactive impulse, with the accompanying emotions of anger and rage, is temporarily or at least momentarily checked and restrained, and the response is consequently postponed to a later time and to a more suitable occasion (“just wait till next time”). This blockage is caused by the reflection that an immediate reaction would lead to defeat, and by a concomitant pronounced feeling of “inability” and “impotence.” Thus even revenge as such, based as it is upon an experience of impotence, is always primarily a matter of those who are “weak” in some respect. Furthermore, it is of the essence of revenge that it always contains the *consciousness* of “tit for tat,” so that it is never a mere emotional reaction.
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Yet all this is not ressentiment. These are only stages in the development of its sources. Revenge, envy, the impulse to detract, spite, *Schadenfreude*, and malice lead to ressentiment only if there occurs neither a moral self-conquest (such as genuine forgiveness in the case of revenge) nor an act or some other adequate expression of emotion (such as verbal abuse or shaking one's fist), and if this restraint is caused by a pronounced awareness of impotence. There will be no ressentiment if he who thirsts for revenge really acts and avenges himself, if he who is consumed by hatred harms his enemy, gives him “a piece of his mind,” or even merely vents his spleen in the presence of others. Nor will the envious fall under the dominion of ressentiment if he seeks to acquire the envied possession by means of work, barter, crime, or violence. Ressentiment can only arise if these emotions are particularly powerful and yet must be suppressed because they are coupled with the feeling that one is unable to act them out—either because of weakness, physical or mental, or because of fear. Through its very origin, ressentiment is therefore chiefly confined to those who serve and are dominated at the moment, who fruitlessly resent the sting of authority. When it occurs elsewhere, it is either due to psychological contagion—and the spiritual venom of ressentiment is extremely contagious—or to the violent suppression of an impulse which subsequently revolts by “embittering” and “poisoning” the personality. If an ill-treated servant can vent his spleen in the antechamber, he will remain free from the inner venom of ressentiment, but it will engulf him if he must hide his feelings and keep his negative and hostile emotions to himself.
These two characteristics make revenge the most suitable source for the formation of ressentiment. The nuances of language are precise. There is a progression of feeling which starts with revenge and runs via rancor, envy, and impulse to detract all the way to spite, coming close to ressentiment. Usually, revenge and envy still have specific objects. They do not arise without special reasons and are directed against definite objects, so that they do not outlast their motives. The desire for revenge disappears when vengeance has been taken, when the person against whom it was directed has been punished or has punished himself, or when one truly forgives him. In the same way, envy vanishes when the envied possession becomes ours. The impulse to detract, however, is not in the same sense tied to definite objects—it does not arise through specific causes with which it disappears. On the contrary, this affect seeks those objects, those aspects of men and things, from which it can draw gratification. It likes to disparage and to smash pedestals, to dwell on the negative aspects of excellent men and things, exulting in the fact that such faults are more perceptible through their contrast with the strongly positive qualities. Thus there is set a fixed pattern of experience which can accommodate the most diverse contents. This form or structure fashions each concrete experience of life and selects it from possible experiences. The impulse to detract, therefore, is no mere result of such an experience, and the experience will arise regardless of considerations whether its object could in any way, directly or indirectly, further or hamper the individual concerned. In “spite,” this impulse has become even more profound and deep-seated—it is, as it were, always ready to burst forth and to betray itself in an unbridled gesture, a way of smiling, etc. An analogous road leads from simple *Schadenfreude* to “malice.” The latter, more detached than the former from definite objects, tries to bring about ever new opportunities for *Schadenfreude*.
Impulses of revenge lead to ressentiment the more they change into actual *vindictiveness*, the more their direction shifts toward indeterminate groups of objects which need only share one common characteristic, and the less they are satisfied by vengeance taken on a specific object. If the desire for revenge remains permanently unsatisfied, and especially if the feeling of “being right (lacking in an outburst of rage, but an integral part of revenge) is intensified into the idea of a “duty,” the individual may actually wither away and die. The vindictive person is instinctively and without a conscious act of volition drawn toward events which may give rise to vengefulness, or he tends to see injurious intentions in all kinds of perfectly innocent actions and remarks of others. Great touchiness is indeed frequently a symptom of a vengeful character. The vindictive person is always in search of objects, and in fact he attacks—in the belief that he is simply wreaking vengeance. This vengeance restores his damaged feeling of personal value, his injured “honor,” or it brings “satisfaction” for the wrongs he has endured. When it is repressed, vindictiveness leads to ressentiment , a process which is intensified when the *imagination* of vengeance, too, is repressed—and finally the very emotion of revenge itself. Only then does this *state of mind* become associated with the tendency to detract from the other person's value, which brings an illusory easing of the tension."
I probably shouldn’t admit this, but writing for me sometimes begins in a spirit of revenge. I looked it up recently: the word revenge comes from the Anglo-French revengier, sharing lineage with vengeance, which originates from the Latin vindicāre, meaning “to assert a claim, claim as one’s own.” I write to lay claim. To claim the world as my own... Sometimes the spirit of revenge comes from a more personal, petty place. I want to tell how someone wronged me. But what I love about fiction is that nothing ends where it begins. In the writing, I am forced to identify with the person who wronged me and to look critically on the protagonist who was wronged. Through endless drafts, I’ve drifted so far away from the original story—so far from the spirit of revenge—that I find myself in a more tangled and interesting new place. So the real act of revenge is that I was able to make art out of the ashes of real pain. I’ve never been convinced that what doesn’t kill you makes you stronger. But if you know how to make fiction out of lived experience—how to turn the “me” into a “she,” how to find the story that didn’t happen within the one that did—you don’t walk away from the calamity empty-handed. In a spin on the old Zen saying, the obstacle is not just the path but the muse itself. Or, in Nora Ephron’s words, “everything is copy.”
There is usually no ressentiment just where a superficial view would look for it first: in the criminal. The criminal is essentially an active type. Instead of repressing hatred, revenge, envy, and greed, he releases them in crime. Ressentiment is a basic impulse only in the crimes of spite. These are crimes which require only a minimum of action and risk and from which the criminal draws no advantage, since they are inspired by nothing but the desire to do harm. The arsonist is the purest type in point, provided that he is not motivated by the pathological urge of watching fire (a rare case) or by the wish to collect insurance. Criminals of this type strangely resemble each other. Usually they are quiet, taciturn, shy, quite settled and hostile to all alcoholic or other excesses. Their criminal act is nearly always a sudden outburst of impulses of revenge or envy which have been repressed for years. A typical cause would be the continual deflation of one's ego by the constant sight of the neighbor's rich and beautiful farm. Certain expressions of class ressentiment, which have lately been on the increase, also fall under this heading. I mention a crime committed near Berlin in 1912: in the darkness, the criminal stretched a wire between two trees across the road, so that the heads of passing automobilists would be shorn off. This is a typical case of ressentiment, for any car driver or passenger at all could be the victim, and there is no interested motive. Also in cases of slander and defamation of character, ressentiment often plays a major role ...
Resentment is the feeling of frustration, judgment, anger, “better than,” and/ or hidden envy related to perceived unfairness or injustice. It’s an emotion that we often experience when we fail to set boundaries or ask for what we need, or when expectations let us down because they were based on things we can’t control, like what other people think, what they feel, or how they’re going to react.
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The man of ressentiment cannot justify or even understand his own existence and sense of life in terms of positive values such as power, health, beauty, freedom, and independence. Weakness, fear, anxiety, and a slavish disposition prevent him from obtaining them. Therefore he comes to feel that “all this is vain anyway” and that salvation lies in the opposite phenomena: poverty, suffering, illness, and death. This “sublime revenge” of ressentiment (in Nietzsche’s words) has indeed played a creative role in the history of value systems. It is “sublime,” for the impulses of revenge against those who are strong, healthy, rich, or handsome now disappear entirely. Ressentiment has brought deliverance from the inner torment of these affects. Once the sense of values has shifted and the new judgments have spread, such people cease to been viable, hateful, and worthy of revenge. They are unfortunate and to be pitied, for they are beset with “evils.” Their sight now awakens feelings of gentleness, pity, and commiseration. When the reversal of values comes to dominate accepted morality and is invested with the power of the ruling ethos, it is transmitted by tradition, suggestion, and education to those who are endowed with the seemingly devaluated qualities. They are struck with a “bad conscience” and secretly condemn themselves. The “slaves,” as Nietzsche says, infect the “masters.” Ressentiment man, on the other hand, now feels “good,” “pure,” and “human”—at least in the conscious layers of his mind. He is delivered from hatred, from the tormenting desire of an impossible revenge, though deep down his poisoned sense of life and the true values may still shine through the illusory ones. There is no more calumny, no more defamation of particular persons or things. The systematic perversion and reinterpretation of the values themselves is much more effective than the “slandering” of persons or the falsification of the world view could ever be.
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