We seem incapable of looking at buildings or pieces of furniture without tying them to the historical and personal circumstances of our viewing; as a result, architectural and decorative styles become, for us, emotional souvenirs of the moments and settings in which we came across them.

Usually, home is associated with a physical space, whether that is a building, neighborhood, town, city, or country; sometimes all that comes to mind are the four walls of a room. Home is where, when you walk in the door, you recognize the smell of clean clothes, stir-fry, or the scent of a field of wheat. It's the light that shines through the window each night, casting familiar shadows. It's waking up in the morning and walking around without needing to turn on the light. For me, however, all of these feelings are scattered since my home is a collection of specific spaces that make me feel good when I'm in them. I walk around La Cerdanya and suddenly feel at home, but the illusion disappears in the blink of an eye. I go back to Chamonix and the smell of fall welcomes me — I feel at home, but the spell is soon broken. In Nepal, too, the relaxed feeling of home sometimes takes hold of me for a moment. I can often feel more like I'm in my own place in some unknown country than when I'm in the house I've paid for and made my own, where some days I feel like a total stranger.

A house is more than a shelter: It is home, it is something that reflects you.

We are what we remember and we understand heritage and belonging through our own passion to remember. Home is a living scrap-book of memory that we carry as we move about, as we remember the vanquished and their respective passions and sorrows. Memory can never reside in abstraction. Memory must be cemented into concrete, must be worn like a dress, must be lived in like a home of differing levels, textures, and colors.

I do not live in you, I bear
my house inside me, everywhere

until your winters grow more kind
by the dancing firelight of mind

where knobs of brass do not exist
whose doors dissolve in tenderness

House that lets in, at last, those fears
that are its guests, to sit on chairs

feasts on their human faces, and
takes pity simply by the hand

shows her her room, and feels the hum
of wood and brick becoming home.

The feeling of home is the feeling of I’m together with myself. This togetherness includes all the elements of your being. In order for you to achieve this togetherness, the foundation of your home is the most important part, because it necessitates your self-acceptance and self-awareness.

A house is sometimes wine. It is sometimes more than a skin.

Houses and fields in which we lived and played in childhood and youth with those we loved, grow to be part of our being. The sight of them in later years touches us with mystic charm. It is like a vision from beyond the tomb or a memory of a lost Paradise. But little by little their power over us grows less and the light that falls on them becomes more like the common day. Their sacredness diminishes, their beauty fades. The young birds have flown, the old are dead, the leaves and blossoms have fallen and but the empty nest is left among the naked boughs; and looking on the desolation we feel that we have no abiding place on earth, since the home itself loses its consecration.

History was like an old house at night. With all the lamps lit. And ancestor whispering inside. To understand history, we have to go inside and listen to what they're saying. And look at the books and the pictures on the wall. And smell the smells.

They say that 'home is where the heart is.' I think it is where the house is, and the adjacent buildings.

Home is a concept. It’s one of a story that we cling to so deeply. When your home has been really, “here is my couch, here is my this, here is my that,” it becomes like mine. For me, home is where people who are loving are. It could be on the street. It could be inside of a tent. It could be in a place where they’re not given a land, then that is a place called a slum. It could be in the high rises of New York or in the middle of chaos in Mexico City. And the physical piece of a home is so important, especially when the weather—sun, cold—is against you…

A story is not like a road to follow … it's more like a house. You go inside and stay there for a while, wandering back and forth and settling where you like and discovering how the room and corridors relate to each other, how the world outside is altered by being viewed from these windows. And you, the visitor, the reader, are altered as well by being in this enclosed space, whether it is ample and easy or full of crooked turns, or sparsely or opulently furnished. You can go back again and again, and the house, the story, always contains more than you saw the last time. It also has a sturdy sense of itself of being built out of its own necessity, not just to shelter or beguile you.

A house that has a library in it has a soul.

There is nothing as un-neutral as a home. Even the most ordinary home is an implicit theater to subversive inner happenings. It is the most self-effacing laboratory of consciousness quietly shaping belief, expectation, and life direction.