As long as poets belonged to a broader class of artists and intellectuals, they centered their lives in urban bohemias, where they maintained a distrustful independence from institutions. Once poets began moving into universities, they abandoned the working-class heterogeneity of Greenwich Village and North Beach for the professional homogeneity of academia.

It is no use thinking that writing of poems – the actual writing – can accommodate itself to a social setting, even the most sympathetic social setting of a workshop composed of friends. It cannot. The work improves there and often the will to work gets valuable nourishment and ideas. But, for good reasons, the poem requires of the writer not society or instruction, but a patch of profound and unbroken solitude.

In the old days poets used to go into the factories and the sugar and tobacco plantations and recite to the workers while they were doing their thing. No more. Perhaps it's a fear of intelligence, of language. A fear of self-realization.

under the tuition of the poets.

(“Costs-in a word. So much of your work has been a struggle to speak honestly and openly, whether about poetry itself or about social issues, about racism, about lesbianism. What are the costs of doing so, as a poet, as a person?") What would be the cost of not doing it? I feel as though it's for my survival, first and foremost. This is how I cope, this is how I survive. I have learned from my peers that this way of creating can be a way of surviving. I didn't invent that.

The bad poet is usually unconscious where he ought to be conscious, and conscious where he ought to be unconscious. Both errors tend to make him "personal." Poetry is not a turning loose of emotion, but an escape from emotion; it is not the expression of personality, but an escape from personality. But, of course, only those who have personality and emotions know what it means to want to escape from these things.

There are people who barely feel poetry, and they are generally dedicated to teaching it.

Yes, it is a painful lot to be a poet and to love both God and man by the farthest northern seas!

Poets are the most difficult creatures to work with.

I want to turn metrophobes (people with a fear of poetry) into metromaniacs. I think the fear goes back to the way poetry is taught. I think we should approach poetry more like music or art. Instead, it’s shrouded in mystery. Like anything new that you try, you start and fail and then improve. You have to keep practicing. Creating can be a wonderful space, but it can be terrifying, and you just have to accept it and dive in. Eventually, you get into the flow, and it gets a little easier.

Why should a poet pray thus? poets scorn The boundaried love of country, being free Of winds, and alien lands, and distances, Vagabonds of the compass, wayfarers, Pilgrims of thought, the tongues of Pentecost Their privilege, and in the peddler's pack The curious treasures of their stock-in-trade, Bossy and singular, the heritage Of poetry and science, polished bright, Thin with the rubbing of too many hands; Myth, glamour, hazard, fables dim as age, Faith, doubt, perplexity, grief, hope, despair, Wings, and great waters, and Promethean fire, Man's hand to clasp, and Helen's mouth to kiss. Why then in little meadows hedge about A poet's pasture? shed a poet's cloak For fustian? cede a birthright, thus to map So small a corner of so great a world?

A poet, qua poet, has only one political duty, namely, in his own writing to set an example of the correct use of his mother tongue, which is always being corrupted. When words lose their meaning, physical force takes over.

To a large extent, the problems of poets are the problems of painters and poets must often turn to the literature of painting for a discussion of their own problems.

The bad poet is likely to have suffered and felt joy as deeply as the poet reckoned first class, but he has not somehow been given the power of translating experience into images and emblems, or of melting words in the furnace of his mind and making them flow into the channels prepared to take them.