Charles Wright Quotes

That I isn't I anymore. It's someone else, the character who plays me, someone who's a better actor than I could ever be. I'm just the writer. Someone else is starring in my part. I remember him just well enough to try to write about him. A case of the negative sublime. I guess art's always after the fact. The real is imaginary, or imagined. Reconstitution, reconstruction, representation is all we're left with. Autobiography becomes biography in the end.

THINGS HAVE ENDS AND BEGINNINGS” Cloud mountains rise over mountain range. Silence and quietness, sky bright as water, sky bright as lake water. Grace is the instinct for knowing when to stop. And where.

He looked like an angelic little boy who had been kicked out of his orphanage for failing to take part in group masturbation.

I write your name for the last time in this mist,
White breath on the windowpane,
And watch it vanish. No, it stays there.

Out of any two thoughts I have, one is devoted to death.

What we are given in dreams we write as blue paint,
Or messages to the clouds.
At evening we wait for the rain to fall and the sky to clear.
Our words are words for the clay, uttered in undertones,
Our gestures salve for the wind.

We sit out on the earth and stretch our limbs,
Hoarding the little mounds of sorrow laid up in our hearts. — Charles Wright, closing lines to “Homage to Paul Cézanne,” The Southern Cross: Poems (Random House, 1981)

At dawn, in the great meadow, a solitude
As easy as white paint comes down from the mountains
To daydream, bending the grass.

I take my body, familiar bundle of sorrows, to be
Touched by its hem, and smoothed over . . .

There's only one secret in life that's worth knowing,
And you found it.

I'll find it too.

If you don’t shine you are darkness.

from “Tomorrow

A cicada whines,
his voice
Starting to drown through the rainy world,
No ripple of wind,
no sound but his song of black wings,
No song but the song of his black wings.

Such emptiness at the heart,
such emptiness at the heart of being,

The plains drift on through the deep daylight. I watch the snow bees sent mad by the sun. The limbs of the hickory trees swing loose in the noontide, Feathery, stretching their necks. The wind blows through its own hair forever. If something is due me still — Firedogs, ashes, the soap of another life — I give it back. And this hive Of shelved combs, my wax in its little box.

We filigree and we baste.
But what do the dead care for the fringe of words,
Safe in their suits of milk?
What do they care for the honk and flash of a new style?

And who is to say if the inch of snow in our hearts
Is rectitude enough?

When what you write about is what you see,
what do you write about when it’s dark?

from “32

"Waterfalls"

Is it age, is it lack of adoration, is it
Regret there’s no ladder to the clouds?
Whatever, we inhabit the quotidian, as we must,
While somewhere behind our backs,
waterfalls tumble and keep on going
Into the deep desire of distance.

Like a vein of hard coal, it was the strike
We fantasized, the pocket of sure reward we sidestepped the road-
blocks for
In Southwest Virginia, seamed in its hillside
Above the north fork of the Holston River.

One afternoon before Christmas
In 1953, we crossed the bridge from Tennessee on a whiskey run,
Churchill and Bevo Hammond and Philbeck and I,
All home for the holidays.
On the back road where they chased us, we left the Sheriff's Patrol in
their own dust,
And washed ours down with Schlitz on the way home.

Jesus, it’s so ridiculous, and full of self-love,
The way we remember ourselves,
and the dust we leave...

Remember me as you will, but remember me once
Slide-wheeling around the curves,
letting it out on the other side of the line.

"Sitting at Night on the Front Porch"

I’m here, on the dark porch, restyled in my mother’s chair.
10:45 and no moon.
Below the house, car lights
Swing down, on the canyon floor, to the sea.

In this they resemble us,
Dropping like match flames through the great void
Under our feet.
In this they resemble her, burning and disappearing.

Everyone’s gone
And I’m here, sizing the dark, saving my mother’s seat.