Polish-American poet and Nobel laureate (1911–2004)
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A few have become acquainted with Orwell’s 1984; because it is both difficult to obtain and dangerous to possess, it is known only to certain members of the Inner Party. Orwell fascinates them through his insight into details they know well, and through his use of Swiftian satire. Such a form of writing is forbidden by the New Faith because allegory, by nature manifold in meaning, would trespass beyond the prescriptions of socialist realism and the demands of the censor. Even those who know Orwell only by hearsay are amazed that a writer who never lived in Russia should have so keen a perception into its life.
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How can I live in this country Where the foot knocks against The unburied bones of kin? I hear voices, see smiles. I cannot Write anything; five hands Seize my pen and order me to write The story of their lives and deaths. Was I born to become a ritual mourner? I want to sing of festivities, The greenwood into which Shakespeare Often took me. Leave To poets a moment of happiness, Otherwise your world will perish.
The survivors ran through the fields, escaping
From themselves, knowing they wouldn't return
For a hundred years. Before them were spread
Those quicksands where a tree changes into nothing,
Into an anti-tree, where no borderline
Separates a shape from a shape, and where,
Amid thunder, the golden house of is
Collapses, and the word becoming ascends.