The work of samskriti or culture is the work of scrubbing, washing and cleansing the mind...the road of culture is one without a trace of stubbornness or crudeness; instead it is the road of humility and respect, for what is the difference between a life without humility and respect and the life of a dog that lunges for.
Indian writer
Devanahalli Venkataramanaiah Gundappa (March 17, 1887 – 1975), popularly known by his pen name DVG, was an Indian writer, biographer, journalist, and novelist in the Kannada language with philosophical approach to life. His magnum opus, the Manku Thimmana Kagga, meaning "Dull Thimma's Rigmarole", is a set of philosophical muse, which is a collection of 945 poems, each of four lines in length. It is one of the best known of the major literary works in Kannada. He also started Kannada newspapers such as Bharat and Karnataka and also founded the Gokhale Institute and promoted fine arts. He was the recipient of Padmabhushan by the Government of India. A commemorative postage stamp was also issued by the Indian Postal Department.
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We must endeavour to bring about a correlationship and complementarity between the spiritual and secular. Let there be whatever changes in our style of living or in the conditions of society. The recognition of the soul and conscience, the acknowledgement of the supremacy of Divine, faith and devotion to Dharma, and the limitation of selfishness and greed - if these four are kept alive, we can boldly assert that the teaching of the Gita will remain alive.
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When the mind was disgusted with the ways of the world, when obstructions were feared in the path of duty, when people became excited and lost their reason, when friends lost their spirit and suffered inner disquiet on any account, [Sastry used to recollect these Slokas. Tulya nindastuti] – equal and unmoved by praise or insult - is an injunction which ought to guide our public men...
As the author describes it, it is the conversation of a “common man” with other common men. Intricate, distant and sacred questions of Religion, Reality, Dharma and Divinity are not for me. .... such has been my belief from the outset. It was not my good fortune to have had transcendental experiences, concentration on religious austerities, or the philosophical knowledge to qualify me for the exposition of abstruse problems.
It is my intention to represent the world of Shakespeare as far as possible as it really is and not merely to tell the story. It is my effort to retain the names used by him, the atmosphere he created, his descriptions...on the whole. His representation of the world as it is. I believe that this is necessary for the enhancement of Kannada literature and the sensibilities of the Kannada people and for the broadening of their vision of the world. If human civilization and peace are to last, it is of foremost importance that the different races of the earth attain a world vision. In order to achieve this the people of the West should read our epics, the Ramayana and the Mahabharata sympathetically as we must acquaint ourselves with their poetic tradition.
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