Novelist, short story writer, memoirist
Edwidge Danticat (born January 19, 1969) is a Haitian-American novelist and short story writer.
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What do you think of Bush’s attack on Iraq? ED: That situation could have been resolved in a different way. And the justification—the idea that we have a right to invade another country and determine another people’s destiny—is frightening. And I fear really for the future of that occupation. What happens now, and twenty years from now, and forty years from now, given our case? People in the United States may feel like when we don’t see it on CNN twenty-four hours a day, it sort of disappears. But it doesn’t disappear for the people who have to live under occupation—and their children and their children’s children.
When you write, it’s like braiding your hair. Taking a handful of coarse, unruly strands and attempting to bring them into unity. Your fingers have still not perfected the task. Some of the braids are long, others are short. Some are thick, others are thin. Some are heavy. Others are light. Like the diverse women in your family. Those whose fables and metaphors, whose similes, and soliloquies, whose diction and je ne sais quoi daily slip into your survival soup, by way of their fingers. (epilogue)
The way the media cycle works here, the way the news works, and the way people’s attention span works, is that we only learn that people exist when there is crisis. That’s why I think it is important to reach people through other means, like the arts and literature, because then you establish a connection that’s not an instant crisis. It’s not disaster porn, it’s a mutual gaze: I’m giving you something and you’re giving me something. That has always been a strength of Haiti: Beyond crisis, it has beautiful art; it has beautiful music. But people have not heard about those as much as they heard about the coups and so forth. I always hope that the people who read me will want to learn more about Haiti.
I am from a place, Haiti, that constantly evokes nostalgia in the people who have seen it, lived in it, and loved it “before”...The blessings of our islands are also our curse. Our geography gives us year-round sun and beautiful beaches, but more and more in the age of climate change, we are on the front line of destruction. “We are a people” seems to be what we have been saying for generations to all our colonizers and invaders who seemed intent on destroying us. And now more than ever, Mother Nature, too. We are a people, the Arawaks and Taínos might have said, even as they died trying to prove it.
The morning Claire Limyè Lanmè Faustin turned seven, a freak wave, measuring between ten and twelve feet high, was seen in the ocean outside of Ville Rose. Claire's father, Nozias, a fisherman, was one of many who saw it in the distance as he walked toward his sloop. He first heard a low rumbling, like that of distant thunder, then saw a wall of water rise from the depths of the ocean, a giant blue-green tongue, trying, it seemed, to lick a pink sky. (first lines)
One of the advantages of being an immigrant is that two very different countries are forced to merge within you. The language you were born speaking and the one you will probably die speaking have no choice but to find a common place in your brain and regularly merge there. So too with catastrophes and disasters, which inevitably force you to rethink facile allegiances. (Chapter 8, p 112)
They say behind the mountains are more mountains. Now I know it's true. I also know there are timeless waters, endless seas, and lots of people in this world whose names don't matter to anyone but themselves. I look up at the sky and I see you there. I see you crying like a crushed snail, the way you cried when I helped you pull out your first loose tooth. Yes, I did love you then. Somehow when I looked at you, I thought of fiery red ants. I wanted you to dig your fingernails into my skin and drain out all my blood. (beginning of "Children of the Sea")