John Banville Quotes

I could have kept [writing "Irish" novels such as Birchwood] and probably had a good deal more success than I did, especially on this side of the Atlantic. But you have to try to do many things. You have to try to do things that you actually think you're incapable of.

There had been rain but it had stopped, and the light from a luminously clouded sky was pewter-bright, and puddles on the road were shivering in the wind, and the rooks above the trees in St Anne's Park were being tossed about the air like scraps of charred paper.

The older I get, the more confused I get. I used to think that age would bring wisdom. It doesn't, it just brings confusion. But I find that this confusion is artistically useful. It's a kind of progression, a negative progression. It's moving into areas that you didn't know were there. It becomes more dreamlike all the time. When I was starting out as a novelist, I would have been furious if anyone said to me that novels are dream-like or that they're doing things the novelist didn't know he was doing. Now, I find that it's absolutely true.

I always remember how a novel written by John Braine in the 1950s about working-class life in England, which was called Room at the Top, which was translated into Swedish as The Attic!

I am essentially a religious type. In my teens I gave up Catholicism, and at the same time I started writing. Writing keeps me at my desk, constantly trying to write a perfect sentence. It is a great privilege to make one's living from writing sentences. The sentence is the greatest invention of civilization. To sit all day long assembling these extraordinary strings of words is a marvelous thing. I couldn't ask for anything better. It's as near to godliness as I can get.

My books must be an absolute nightmare to translate. I wouldn't do it. I had a couple of them in Japanese some years ago and my wife met a Japanese woman who said that she had read the books. And she asked her what the translations were like. This woman said they were the worst translation she had ever read in her life. She said she didn't recognise the books when she finally read them in English.

I suspect that significant first encounters only take on their aura of significance in retrospect.

Copernicus stuck very closely to the facts, but in Kepler I invented freely, and it's a much better book because of that.

[On The Sea being filmed] It's not a blockbuster and it's not going to earn half a billion in the first weekend, but it's a work of art and I'm very pleased with it.

Look at what goes on in our heads when we think about our family or we think about sex. There are things in there that you'd never really say to anybody. You're even ashamed to think it yourself.

When I was young, art for me was a new religion. Now I see the aims and ends of art as less grand. If I can catch the play of light on a wall, and catch it just so, that is enough for me. I don’t want to write about human behavior. Art now seems to me in many ways the absolute opposite of psychology. It’s simply saying, This is how it is. This is how it looks, how it feels. To describe things well is far more worthwhile than the kind of cheap psychologizing, or even expensive psychologizing, that the novel so often indulges in.

Art is like sex: when you're doing it, nothing else matters. Away from his desk the novelist can care deeply about the social, political, moral aspects of what he is writing but when he sits down to write, all those concerns fall away and nothing matters except the putting down of one carefully chosen word after another carefully chosen word, until a sentence is finished, then a paragraph, then a page, then a chapter, then a book. When I'm working I don't care about anything, not even myself. All my concentration is directed towards the making of the thing on the page. The rest is just stuff — even though it is the stuff of life.

If you think I'm being bleak, I'm not. It's wonderful to be making yourself up. That's what makes life so exciting. It's an unending adventure.

When I created Quirke, he was 6ft 6in and blond. But then a woman reader wrote to me and said, 'Why do you keep saying his hair is blond? It's not. It's brown.' I wrote back to her and told her that, of course, she was right. So I darkened his hair and now that he's being played by Gabriel Byrne; with each successive book he gets a bit smaller and smaller.