It could be said (...) that language is of interest to philosophy insofar as the former is understood not only as a "vehicle" of concepts, but as a framework in which concepts are constituted, concepts that allow the articulation of the world with the intention of making it meaningful to us. In this way, concepts and meaning go together. This "meaning" will be understood in very different ways by the different philosophies of language, and consequently the constitution of concepts will also be variously understood. I call this conception, in contrast to the vehicular theory, the constitutional conception of language.

Blow-up [Antonioni] shows what Descartes says: our senses deceive us. However, there is no cogito in the images of this film that helps to overcome the unbearable state of doubt provoked by the ambiguity of the facts. Thomas [the young photographer of this film] cannot protect himself in any cozy subjectivity; on the contrary, it is his subjectivity that is stolen by the mysterious force of things.

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Would a genuinely rational agent choose to be born? My argument against R. M. Hare can be reread in the "Critique of Affirmative Morality" (...). There I suggest that in the experiment where the non-being is magically consulted about their possible birth, Hare is mistaken in assuming uncritically that "they" would undoubtedly choose to be born. (This is the usual affirmative trend.) Let us suppose that we are talking about a human being, that is, a rational creature capable of pondering reasons. The information that is given to this possible being in Hare's experiment is incomplete and biased. We should also tell them that if they are born, they will have no guarantee of being born without problems; that if they manage to be born without problems, they will almost surely suffer from many intra-worldly evils; that if they manage to avoid them (and this is possible in the intra-world, even if difficult), we cannot give them any guarantee about the length of their life nor about the kind of death they will have, and they will also have to suffer the death of those they come to love and their death will be suffered by those who love them (if they are lucky enough to love someone and to be loved by someone, which is also not guaranteed). They must be told that if they manage to avoid a violent accidental death, they will decay in a few years (just as the people they love and care about), and that they have a high chance of becoming a terminally ill patient who could suffer terribly until the time of their demise. If it is still possible for the non-being, after having assimilated all this information, to choose to be born, could we not harbor well-founded doubts about their quality as a "rational agent"?

These are huge, even colossal, temporal modules of the transition of all things toward their end, which—from our minuscule, singular, finite, and perspectival temporal module—make us see as static and permanent what is impregnated and corroded with temporality, fluidity, and terminality. It is as if being itself appeared while already hiding its decaying nature. The human mechanisms of concealing the terminality of being follow the concealing rhythm of being itself; every human tends to hide their terminal temporality and its frightening lack of value behind a slow and reassuring temporality. If we could grasp, even for an instant, the swift temporality of the terminal nature of being—like that mad scientist in Terence Fisher's The Man Who Could Cheat Death (1959), who ages and dies in a few seconds in front of the cameras—we would be horrified. We can endure the terminal nature of being only because it is given to us little by little, in a periodic temporality.

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It may be accepted that philosophical thoughts are universal in the sense of being of interest to humans from anywhere on the planet (...) However, if we do not want to formulate this universality in metaphysical or transcendental terms, we will have to conceive it as the result of a historical process, with a provenance, a circumstance and a perspective, which does not damage the universality of the thought (...) but situates it. What is denied is the idea that philosophical thoughts can arise directly from human reason, from a vision of nowhere. The universality of thoughts does not exempt them from having an origin (...)

People talk about the "wonderful experience of parenthood". Have you ever wondered why it is so wonderful? It may be wonderful because it is very manipulative; manipulating gives a lot of pleasure, because you have a person in your hands. When the child is small you wear it as you want, comb as you want, cut the hair, put on the table, as I have frequently seen it. The adults play with the child, people who would have no subject of conversation or interaction, when their empty, insignificant gray lives would come to light, the child saves them.

The place of birth as an organizing center is part of the circumstances of thought, but does not exhaust them. The "from Brazil" is not only a national reference, but an existential-historical circumstance, linked to the particular configuration of the world that we make when we see it from South America and not from Ethiopia or Canada. Names like "Brazil," "Israel," or "Paris," do not allude to nations, but to organizational prospects of the world. While it makes some sense to state that in a globalized world the narrow idea of nation is diluted, it may be fallacious to say that globalization suppresses perspectives and circumstances from which this globalization is to be lived and thought.

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Pessimism seems to have an existential density that optimism - even non-naive optimism - does not have. In Bernardo Bertolucci's famous Last Tango in Paris (1972), the unknown (Marlon Brando) whose wife has just committed suicide, wanders around Paris and casually meets Jeanne (Maria Schneider), with whom he has a rich and violent physical and existential relationship, in an unfurnished apartment, where conventions and the name of things or people do not matter (...) But the moment he can get out of the pit and get back into life, dress well and resume the exercise of usual conventions, knowing her name, marrying and being happy, it becomes a conventional caricature and his relationship with Jeanne abruptly ends (...).