The political worshipers of routine, incapable of surveying the historical process in its complexity, in its internal clashes and contradictions, imagined to themselves that history was preparing the way for the Socialist order simultaneously and systematically on all sides, so that concentration of production and the development of a Communist morality in the producer and the consumer mature simultaneously with the electric plough and a parliamentary majority.

Nicholas is sometimes compared with his half-crazy great-great-grandfather Paul, who was strangled by a camarilla acting in agreement with his own son, Alexander “the Blessed.” These two Romanovs were actually alike in their distrust of everybody due to a distrust of themselves, their touchiness as of omnipotent nobodies, their feeling of abnegation, their consciousness, as you might say, of being crowned pariahs. But Paul was incomparably more colorful; there was an element of fancy in his rantings, however irresponsible. In his descendant everything was dim; there was not one sharp trait.

Art, it is said, is not a mirror, but a hammer: it does not reflect, it shapes. But at present even the handling of a hammer is taught with the help of a mirror, a sensitive film that records all the movements. Photography and motion-picture photography, owing to their passive accuracy of depiction, are becoming important educational instruments in the field of labor. If one cannot get along without a mirror, even in shaving oneself, how can one reconstruct oneself or one's life, without seeing oneself in the "mirror" of literature? Of course no one speaks about an exact mirror. No one even thinks of asking the new literature to have mirror-like impassivity. The deeper literature is, and the more it is imbued with the desire to shape life, the more significantly and dynamically it will be able to "picture" life.

Leninism is warlike from head to foot. War is impossible without cunning, without subterfuge. without deception of the enemy. Victorious war cunning is a constituent element of Leninist politics. But at the same time, Leninism is supreme revolutionary honesty toward the party and the working class. It admits of no fiction, no bubble-blowing, no pseudo-grandeur.

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The Soviet bureaucracy is like all ruling classes in that it is ready to shut its eyes to the crudest mistakes of its leaders in the sphere of general politics, provided in return they show an unconditional fidelity in the defense of its privileges.

The most indubitable feature of a revolution is the direct interference of the masses in historical events. In ordinary times the state, be it monarchical or democratic, elevates itself above the nation, and history is made by specialists in that line of business - kings, ministers, bureaucrats, parliamentarians, journalists. But at those crucial moments when the old order becomes no longer endurable to the masses, they break over the barriers excluding them from the political arena, sweep aside their traditional representatives, and create by their own interference the initial groundwork for a new régime. Whether this is good or bad we leave to the judgement of moralists. We ourselves will take the facts as they are given by the objective course of development. The history of a revolution is for us first of all a history of the forcible entrance of the masses into the realm of rulership over their own destiny.

The dialectics of history have already hooked him and will raise him up. He is needed by all of them; by the tired radicals, by the bureaucrats, by the Nepmen, the upstarts, by all the worms that are crawling out of the upturned soil of the manured revolution. He knows how to meet them on their own ground, he speaks their language and he knows how to lead them. He has the deserved reputation of an old revolutionist, which makes him invaluable to them as a blinder on the eyes of the country. He has will and daring. He will not hesitate to utilize them and to move them against the Party. Right now he is organising himself around the sneaks of the party, the artful dodgers.

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Italian fascism was the immediate outgrowth of the betrayal by the reformists of the uprising of the Italian proletariat. From the time the [first world] war ended, there was an upward trend in the revolutionary movement in Italy, and in September 1920 it resulted in the seizure of factories and industries by the workers. The dictatorship of the proletariat was an actual fact; all that was lacking was to organize it and draw from it all the necessary conclusions. The social democracy took fright and sprang back. After its bold and heroic exertions, the proletariat was left facing the void. The disruption of the revolutionary movement became the most important factor in the growth of fascism. In September, the revolutionary advance came to a standstill; and November already witnessed the first major demonstration of the fascists (the seizure of Bologna).