Guilt, Ameline discovered, was a terrible, unruly think, like toothache - dull nagging, persistent, never far from attention. Just when you got used to its rumbling, ruminating presence, it would lash out, stike you down, stio you dead in your tracks. The worst thing was, it was entirely unpredictable.

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How could you teach someone to survive? You pointed them in the right direction and hoped they'd swim, not sink. Waving, not drowning. There are more important things in life than individual happiness. It was an easy trap to fall into, mistaking a lack of self-direction for an expression of love.

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Africa's unique context, which is both richly challenging and richly creative, means it's a powerful place from which to examine the issues that will dominate the next century – climate change, societal change, demographic change, new forms of governance, explosive urbanity.

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I’ve always thought of ‘race’ as a powerfully creative category of exploration and expression. I was fed up trying to find a way to talk about identity, race and Africa in architecture that wasn’t only about poverty and ‘informality,’ a word I loathe.