Peruvian novelist and writer (1936–2025)
Jorge Mario Pedro Vargas Llosa, 1st Marquis of Vargas Llosa (28 March 1936 – 13 April 2025) was a Peruvian-Spanish writer, politician, journalist, essayist, college professor, and recipient of the 2010 Nobel Prize in Literature. Vargas Llosa is one of Latin America's most significant novelists and essayists, and one of the leading writers of his generation.
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In May 1968 in France there was student unrest at the University of Nanterre, which then spread to the Sorbonne, to the remaining universities in the country, and to colleges and schools. This is how the "student revolution" began, and it sparked similar movements in different parts, which is why it became so important the world over. Nearly sixty years on, such a reaction seems excessive when one considers its real significance: it led to a certain freedom in behavior, especially sexual freedom, the disappearance of standards of polite behavior, the multiplication of swear words in communication, and not much more.
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[L]iberalism is above all an attitude toward life and society based on tolerance and respect, a love for culture, a desire to coexist with others and a firm defense of freedom as a supreme value. A freedom that is, at the same time, the driving force of material progress, of science, arts, and letters, and of a civilization that has produced sovereign individuals, with their independence, their rights, and their responsibilities that are always held in balance with those of other individuals, protected by a legal system that guarantees coexistence within diversity. Economic freedom is a key element of liberal doctrine but certainly not the only one.
Writing stories was not easy. When they were turned into words, projects withered on the paper and ideas and images failed. How to reanimate them? Fortunately, the masters were there, teachers to learn from and examples to follow. Flaubert taught me that talent is unyielding discipline and long patience. Faulkner, that form – writing and structure – elevates or impoverishes subjects. Martorell, Cervantes, Dickens, Balzac, Tolstoy, Conrad, Thomas Mann, that scope and ambition are as important in a novel as stylistic dexterity and narrative strategy. Sartre, that words are acts, that a novel, a play, or an essay, engaged with the present moment and better options, can change the course of history. Camus and Orwell, that a literature stripped of morality is inhuman, and Malraux that heroism and the epic are as possible in the present as is the time of the Argonauts, the Odyssey, and the Iliad.
We live in the civilization of the spectacle and the intellectuals and writers who are the most popular are almost never popular because of the originality of their ideas or the beauty of their creations, or, in any event, not just for intellectual, artistic, or literary reasons. They are popular above all else for their histrionic ability, the way in which they project their public image, their exhibitionism, their rudeness, their insolence, all that farcical and noisy dimension of public life that passes itself off as rebellion (but which, in fact, masks a complete conformism).
There are certain disciplines—linguistics, philosophy, and literary and art criticism, for example—that seem particularly suited to performing the con of converting the pretentious verbiage of certain modish arrivistes into fashionable human science. To confront this type of deception requires not only the courage to swim against the tide but also having a solid cultural background in many areas of knowledge. The genuine humanist tradition […] is the only thing that can stop, or at least temper, the harmful effects on the cultural life of a country of these deformations—lack of science, pseudo-knowledge, artifice that passes itself off as creative thought—that are the unequivocal signs of its decline.
The only way to progress is by stumbling, falling, and getting up, time and again. Error will always be there because the best decisions are always, to some extent, bound up in error. In the great challenge of separating truth from lies—a goal, perhaps the most human of all goals, that is perfectly possible to achieve—it is essential to bear in mind that in this task there can never be definitive achievements that cannot be challenged later, and no knowledge that cannot be revised. In the great forest of misperceptions and deceptions, mistakes and mirages, through which we roam, the only way that truth can clear a path is by rational and systematic criticism of what is—or passes for—knowledge. Without this privileged expression of freedom, the right to criticize, we are condemned to oppression, brutality, and also obscurantism.