Maxine Hong Kingston Quotes

You go into the subconscious by not writing and then you make it normal consciousness by writing. Then you rewrite until you are working almost mechanically: the grammar and the structure all mental and rational. But now comes the time for not doing any writing. I mean to get far into the subconscious, where there are not word sequences.

(Your books are a lot about people's inhumanity to one another, so I wondered where you find comfort and balance?) MHK: I ask that of myself a lot: where are the sources of life so that you can renew yourself! I find help in nature. We should always remember to plop ourselves under the trees because every time I've ever done that I feel the earth giving me energy and the sky giving me perspective, and I come as close as I ever do to satori. Then I realize that life in the city cuts me up into pieces. I know that, and yet I don't leave it. All I have to do is go out into nature and it gives me strength to come back and work on. And I read-there are writers who give you life whether or not they write well, it's very odd. I feel that way about Anaïs Nin, who sometimes I don't think writes well. I re-read Orlando whenever I feel stuck, and I read poetry. (1986)

As you know, any plain person you chance to meet can prove to be a powerful immortal in disguise come to test you. (p119)

When I write I also claim America in a literary way, in an artistic way. When people claim countries, it's usually thought of as conquering them in war. I'm claiming America in a pacifist way, in an artistic way.

They think that Americans are either white or Black. I can't wear that civil-rights button with the Black hand and the white hand shaking each other. I have a nightmare-after duking it out, someday Blacks and whites will shake hands over my head. I'm the little yellow man beneath the bridge of their hands and overlooked. (p307)

I feel so bad sometimes thinking of this great oral tradition, and along comes somebody like me who writes it down. People go to the library and pull out a book and say, "Here's the authentic story." It's not! That was only the odd person who came along, like Homer, and wrote it down. It's the same thing with the Chinese. Most of the tradition was oral and then someone came along and wrote it down.

She's lived for a long time, and in many places. Lucky to have her here now. (p268)

I think that individual voices are not as strong as a community of voices. If we can make a community of voices, then we can speak more truth. Also in a community, we learn to listen…

Mental work was harder than physical work, although it was not exactly the mind that teaching strained. (p41)

One of the things he (Thích Nhất Hạnh) says is that we don't know how to feel peace. We don't understand the joy that is peace. We think that it's boring. And that is an aesthetic and a social perception. He is dealing with many of these same problems we are facing, and I just know he has some answers. (1991)

Fancy lovers never last. (p81)

I see these soldiers, people coming back from the wars, and they are so wounded. They are so hurt from what they have experienced and the actions which they have made in the world. And now there is work to be done in pulling our country together and the world together. That's the work that comes after a war. It's how to make peace and how to make the world whole again. (2007)

All during the Vietnam War, I could feel there was a darkness hanging over the whole world and it lasted for so long.

The hero's home has its own magic. (p81)

Do I have to explain why 'exotic' pisses me off, and 'not exotic' pisses me off? They've got us in a bag, which we aren't punching our way out of. To be exotic or to be not-exotic is not a question about Americans or about humans. Okay, okay. Take me, for example. I'm common ordinary. Plain black sweater. Blue jeans. Tennis shoes ordinaire. Clean soo mun shaven. What's so exotic? My hair's too long, huh? Is that it? It's the hair? (p308)