One of the things he (Thích Nhất Hạnh) says is that we don't know how to feel peace. We don't understand the joy that is peace. We think that it's boring. And that is an aesthetic and a social perception. He is dealing with many of these same problems we are facing, and I just know he has some answers. (1991)
Chinese American author
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As a child I feared the size of the world. The farther away the sound of howling dogs, the farther away the sound of the trains, the tighter I curled myself under the quilt. The trains sounded deeper and deeper into the night. They had not reached the end of the world before I stopped hearing them, the last long moan diminishing toward China. How large the world must be to make my grandmother only a taste by the time she reaches me. (p99)
I want to write about something you can't find in research. Research can only, oh, I guess, confirm some of the small details, like what kinds of clothes these people wore and you can see the big historical things that happened. But what I want to say, I can't find through research. There's a feeling that I have, or there are feelings, the way people are in certain circumstances. I feel that it comes from the heightened moments in all our lives when we are really aware of what it feels like to be a person or what life is all about. You don't feel it too often, but every once in awhile you feel it. I want to put that feeling into writing or I want to write words so that when somebody reads it, they can have that feeling. And all the details are only components to get to this feeling. It's sort of a heightened awareness so that you know what it means to be human.
Remember when the narrator is bullying the other girl? She says to her, “Just say ‘ow.’ Just say anything, just make a sound.” I guess that’s the first step: make a sound. I think for everybody that just being able to speak up is a bravery, which they have to learn. But for a writer, it’s to be able to find a style and a rhythm and a structure to be able to tell a story. I think that is another way of finding voice, and it’s not that easy….
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I was really shocked when I came out with my first book. At that time there were some Asian American men who were all we had of our literary community. And I expected, when my book came out, for them to say, welcome. Welcome to the community of artists. Because there are so few of us. So here's another one to add strength to our numbers. And, instead, the men just right away went into this big thing. It's a very crazy plot they have in their heads. Their assessment of the publishing industry is so wrong. (1989)