Russian writer, poet and painter (1814–1841)
Mikhail Yuryevich Lermontov (October 15, 1814 – July 27, 1841) was a Russian Romantic writer, poet and painter, sometimes called "the poet of the Caucasus", the most important Russian poet after Alexander Pushkin's death in 1837 and the greatest figure in Russian Romanticism. His influence on later Russian literature is still felt in modern times, not only through his poetry, but also through his prose, which founded the tradition of the Russian psychological novel.
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The public of this country is so youthful, not to say simple-minded, that it cannot understand the meaning of a fable unless the moral is set forth at the end. Unable to see a joke, insensible to irony, it has, in a word, been badly brought up. It has not yet learned that in a decent book, as in decent society, open invective can have no place; that our present-day civilisation has invented a keener weapon, none the less deadly for being almost invisible, which, under the cloak of flattery, strikes with sure and irresistible effect.
My whole past life I live again in memory, and, involuntarily, I ask myself: 'why have I lived - for what purpose was I born?'... A purpose there must have been, and, surely, mine was an exalted destiny, because I feel that within my soul are powers immeasurable... But I was not able to discover that destiny, I allowed myself to be carried away by the allurements of passions, inane and ignoble. From their crucible I issued hard and cold as iron, but gone for ever was the glow of noble aspirations - the fairest flower of life. And, from that time forth, how often have I not played the part of an axe in the hands of fate! Like an implement of punishment, I have fallen upon the head of doomed victims, often without malice, always without pity... To none has my love brought happiness, because I have never sacrificed anything for the sake of those I have loved: for myself alone I have loved - for my own pleasure. I have only satisfied the strange craving of my heart, greedily draining their feelings, their tenderness, their joys, their sufferings - and I have never been able to sate myself. I am like one who, spent with hunger, falls asleep in exhaustion and sees before him sumptuous viands and sparkling wines; he devours with rapture the aerial gifts of the imagination, and his pains seem somewhat assuaged. Let him but awake: the vision vanishes - twofold hunger and despair remain! And tomorrow, it may be, I shall die!... And there will not be left on earth one being who has understood me completely. Some will consider me worse, others, better, than I have been in reality... Some will say: 'he was a good fellow'; others: 'a villain.' And both epithets will be false. After all this, is life worth the trouble? And yet we live - out of curiosity! We expect something new... How absurd, and yet how vexatious!
The history of a man's soul, even the pettiest soul, is hardly less interesting and useful than the history of a whole people; especially when the former is the result of the observations of a mature mind upon itself, and has been written without any egotistical desire of arousing sympathy or astonishment. Rousseau's Confessions has precisely this defect – he read it to his friends.
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