All the nations that ever lived have left their footsteps in the sand. The traces fade with every tide, the echoes grow faint, the images are fractured, the human material is atomized and recycled. But if we know where to look, there is always a remnant, a remainder, an irreducible residue.

Reconstructing the past is rather like translating poetry. It can be done, but never exactly. Whether one deals with prehistoric recipes, colonial settlements, or medieval music, it needs great imagination and restraint if the twin perils of artless authenticity and clueless empathy are to be avoided.

If enough people in society can be convinced that history is governed by scientific laws: that Soviet-style Socialism is the inevitable product of historical progress: and that the Soviet Union embodies all the finest socialist ideals of peace, equality, and justice, then rational people should be incapable of defying the rule of the Soviet government and its chosen allies.

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Historians usually focus their attention on the past of countries that still exist, writing hundreds and thousands of books on British history, French history, German history, Russian history, American history, Chinese history, Indian history, Brazilian history or whatever. Whether consciously or not, they are seeking the roots of the present, thereby putting themselves in danger of reading history backwards. As soon as great powers arise, whether the United States in the twentieth century or China in the twenty-first, the call goes out for offerings on American History or Chinese History, and siren voices sing that today’s important countries are also those whose past is most deserving of examination, that a more comprehensive spectrum of historical knowledge can be safely ignored.

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Theorists of propaganda have identified five basic rules: 1. The rule of simplification: reducing all data to a simple confrontation between 'Good and Bad', 'Friend and Foe'. 2. The rule of disfiguration: discrediting the opposition by crude smears and parodies. 3. The rule of transfusion: manipulating the consensus values of the target audience for one's own ends. 4. The rule of unanimity: presenting one's viewpoint as if it were the unanimous opinion of all right-thinking people: drawing the doubting individual into agreement by the appeal of star-performers, by social pressure, and by 'psychological contagion'. 5. The rule of orchestration: endlessly repeating the same messages in different variations and combinations.