poet, critic, novelist, essayist (1914–1965)
Randall Jarrell (6 May 1914 – 15 October 1965) was an American poet, novelist, critic, children's book author and essayist.
From: Wikiquote (CC BY-SA 4.0)
Showing quotes in randomized order to avoid selection bias. Click Popular for most popular quotes.
One of the most obvious facts about grown-ups, to a child, is that they have forgotten what it is like to be a child. The child has not yet had the chance to know what it is like to be a grownup; he believes, even, that being a grownup is a mistake he will never make — when he grows up he will keep on being a child, a big child with power. So the child and grownup live in mutual love, misunderstanding, and distaste. Children shout and play and cry and want candy; grownups say Ssh! and work and scold and want steak. There is no disputing tastes as contradictory as these. It is not just Mowgli who was raised by a couple of wolves; any child is raised by a couple of grownups. Father and Mother may be nearer and dearer than anyone will ever be again — still, they are members of a different species. God is, I suppose, what our parents were; certainly the ogre of the stories is so huge, so powerful, and so stupid because that is the way a grownup looks to a child. Grownups forget or cannot believe that they seem even more unreasonable to children than children seem to them.
I have trouble knowing what to do at parties. Prisoners tame mice, or make rings out of spoons: I analyze people’s handwriting...or else ask you to tell me what you read when you were a child. (People speak unusually well of the books of their childhood, don’t they? Or is this one more life-giving illusion?) I love to see a hard eye grow soft over Little Women... And, I’ve found, there’s no children’s book so bad that I mind your having liked it: about the tastes of dead children there is no disputing.
Some of Mr. Gregory’s poems have merely appeared in The New Yorker; others are New Yorker poems: the inclusive topicality, the informed and casual smartness, the flat fashionable irony, meaningless because it proceeds from a frame of reference whose amorphous superiority is the most definite thing about it — they are the trademark not simply of a magazine but of a class.
Critics disagree about almost every quality of a writer’s work; and when some agree about a quality, they disagree about whether it is to be praised or blamed, nurtured or rooted out. After enough criticism the writer is covered with lipstick and bruises, and the two are surprisingly evenly distributed.
...one straggles gracelessly through a wilderness of common sense. It is an experience for which the reader of modern criticism is unprepared: in that jungle through which one wanders, with its misshapen and extravagant and cannibalistic growths, bent double with fruit and tentacles, disquieting with their rank eccentric life, one comes surprisingly on something so palely healthy: a decorous plant, without thorns or flowers, rootless in the thin sand of the drawing room.