Rebecca Solnit Quotes

Writing is saying to no one and to everyone the things it is not possible to say to someone.

To dig deeper into the self, to go underground, is sometimes necessary, but so is the other route of getting out of yourself, into the larger world, into the openness in which you need not clutch your story and your troubles so tightly to your chest.

Since the Seattle surprise, it's become standard practice to erect a miniature police state around any globalization summit, and these rights free zones seem to prefigure what corporate globalization promises. (p46)

I think one of the primary goals of a feminist landscape architecture would be to work toward a public landscape in which we can roam the streets at midnight, in which every square is available for Virginia Woolf to make up her novels

I wish that I could put up yesterday’s evening sky for all posterity, could preserve a night of love, the sound of a mountain stream, a realization as it sets my mind afire, a dance, a day of harmony, ten thousand glorious days of clouds that will instead vanish and never be seen again, line them up in jars where they might be admired in the interim and tasted again as needed.

On the crowded subway car back to Brooklyn afterwards, the youngest of my three female companions had her bottom groped by a man about Strauss-Kahn’s age. At first, she thought he had simply bumped into her. That was before she felt her buttock being cupped and said something to me, as young women often do, tentatively, quietly, as though it were perhaps not happening or perhaps not quite a problem.

Finally, she glared at him and told him to stop. I was reminded of a moment when I was an impoverished seventeen-year-old living in Paris and some geezer grabbed my ass. It was perhaps my most American moment in France, then the land of a thousand disdainful gropers; American because I was carrying three grapefruits, a precious purchase from my small collection of funds, and I threw those grapefruits, one after another, like baseballs at the creep and had the satisfaction of watching him scuttle into the night.

His action, like so much sexual violence against women, was undoubtedly meant to be a reminder that this world was not mine, that my rights — my liberté, egalité, sororité, if you will — didn’t matter. Except that I had sent him running in a barrage of fruit.

Vengeance and forgiveness are about reconciling the accounts, but accounting is an ugly description of the tangled ways we're connected. I sometimes think everything comes out even in the end, but an end that arches beyond the horizon, beyond our capacity to perceive or measure, and that in many cases those who trespass against you do so out of a misery that means the punishment preceded and even precipitated the crime. Maybe that's acceptance.

The future is dark, which is the best thing the future can be, I think. It’s an extraordinary declaration, asserting that the unknown need not be turned into the known through false divination or the projection of grim political or ideological narratives; it’s a celebration of darkness, willing – as that “I think” indicates — to be uncertain even about its own assertion. Most people are afraid of the dark. Literally when it comes to children, while many adults fear, above all, the darkness that is the unknown, the unseeable, the obscure. And yet the night in which distinctions and definitions cannot be readily made is the same night in which love is made, in which things merge, change, become enchanted, aroused, impregnated, possessed, released, renewed.

They are all beasts of burden in a sense, ' Thoreau once remarked of animals, 'made to carry some portion of our thoughts.' Animals are the old language of the imagination; one of the ten thousand tragedies of their disappearance would be a silencing of this speech.

The moon is profound except when we land on it.

Musing takes place in a kind of meadowlands of the imagination, a part of the imagination that has not yet been plowed, developed, or put to any immediately practical use. [ — ] [T]ime spent there is not work time, yet without that time the mind becomes sterile, dull, domesticated. The fight for free space — for wilderness and for public space — must be accompanied by a fight for free time to spend wandering in that space.

No matter how deeply you come to know a place, you can keep coming back to know it more.

Many people nowadays live in a series of interiors...disconnected from each other. On foot everything stays connected, for while walking one occupies the spaces between those interiors in the same way one occupies those interiors. One lives in the whole world rather than in interiors built up against it.

Walking . . . is how the body measures itself against the earth.

How do you make art when the art that's all around you keeps telling you to shut up and do the dishes?