Prussian philosopher, government official, diplomat, and educator (1767–1835)
Friedrich Wilhelm Christian Karl Ferdinand Freiherr von Humboldt (22 June 1767 – 8 April 1835) was a government functionary, diplomat, philosopher, founder of Humboldt Universität in Berlin, a friend of Johann Wolfgang von Goethe and Friedrich Schiller, and elder brother of naturalist Alexander von Humboldt who is especially remembered as a linguist who made important contributions to the philosophy of language and to the theory and practice of education.
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Freedom exalts power; and, as is always the collateral effect of increasing strength, tends to induce a spirit of liberality. Coercion stifles power, and engenders all selfish desires, and all the mean artifices of weakness. Coercion may prevent many transgressions; but it robs even actions which are legal of a portion of their beauty. Freedom may lead to many transgressions, but it lends even to vices a less ignoble form.
Language is deeply entwined in the intellectual development of humanity itself, it accompanies the latter upon every step of its localized progression or regression; moreover, the pertinent cultural level in each case is recognizable in it. ... Language is, as it were, the external manifestation of the minds of peoples. Their language is their soul, and their soul is their language. It is impossible to conceive them ever sufficiently identical... . The creation of language is an innate necessity of humanity. It is not a mere external vehicle, designed to sustain social intercourse, but an indispensable factor for the development of human intellectual powers, culminating in the formulation of philosophical doctrine.
The incapacity for freedom can only arise from a want of moral and intellectual power; to elevate this power is the only way to counteract this want; but to do this presupposes the exercise of that power, and this exercise presupposes the freedom which awakens spontaneous activity. Only it is clear we cannot call it giving freedom, when fetters are unloosed which are not felt as such by him who wears them. But of no man on earth—however neglected by nature, and however degraded by circumstances—is this true of all the bonds which oppress and enthral him. Let us undo them one by one, as the feeling of freedom awakens in men’s hearts, and we shall hasten progress at every step. There may still be great difficulties in being able to recognize the symptoms of this awakening. But these do not lie in the theory so much as in its execution, which, it is evident, never admits of special rules, but in this case, as in every other, is the work of genius alone.
Now, without directly altering the existing condition of things, it is possible to work upon the human mind and character, and give them a direction no more correspondent with that condition; and this it is precisely which he who is wise will endeavour to do. Only in this way is it possible to reproduce the new system in reality, just as it has been conceived in idea; and in every other method (setting aside the evils which arise from disturbing the natural order of human development) it is changed, modified, disfigured by the remaining influence of preceding systems, in the actual state of circumstances as well as in the minds of men. But if this obstacle be removed,—if the new condition of things which is resolved upon can succeed in working out its full influence, unimpeded by what was previously existing and by the circumstances of the present on which this has acted,—then must nothing further be allowed to stand in the way of the contemplated reform.
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Only the actual conception of the divine nature changes according to the different ideas of perfection which prevail in particular ages and nations. The gods of the remoter ages of Greece and Rome, and those worshipped by our own earliest forefathers, were simply ideals of bodily strength and prowess. As the idea of sensuous beauty arose and gradually became refined, the sensuous personification of beauty was exalted to the throne of deity; and hence arose what we might call the religion of art. When men ascended from the sensuous to the purely spiritual, from the beautiful to the good and true, the sum of all moral and intellectual perfection became the object of their adoration, and religion became the province of philosophy.