Who are your favorite heroines in real life? The women of Afghanistan, Iraq, and Iran who risk their lives and their beauty to defy the foulness of theocracy. Ayaan Hirsi Ali and Azar Nafisi as their ideal feminine model.

The real heroes, and heroines, are those who deal heroically with the everyday cares of life, though God knows they’ve been multiplied enormously. It’s not the guy who kills a dragon once in his lifetime and then retires that’s a hero. It's the guy who kills cockroaches and rats every day, day after day, and doesn't rest on his laurels until he’s an old man, if then.

Yes, there are plenty of heroes and heroines everywhere you look. They are not famous people. They are generally obscure and modest people doing useful work, keeping their families together and taking an active part in the health of their communities, opposing what is evil (in one way or another) and defending what is good. Heroes do not want power over others.

It would not be a good place for the heroine of a modern novel to stay at. The heroine of a modern novel is always “divinely tall,” and she is ever “drawing herself up to her full height.” At the “Barley Mow” she would bump her head against the ceiling each time she did this.

But never mind, all the best heroines are beautiful orphans, abandoned to their fate, and the one thing that's certain about my situation is that I'm going to be a heroine when I grow up.
Can I be a hero?
Well, I suppose you can try. But you'll have to try very hard.

She was the amoureuse of all the novels, the heroine of all the plays, the vague “she” of all the poetry books.

A hero is an ordinary person doing things in an extra ordinary way.

One cannot read a novel without ascribing to the heroine the traits of the one we love.

A woman asks little of love: only that she be able to feel like a heroine.

A Hero is an ordinary individual who finds the strength to persevere and endure in spite of overwhelming obstacles.

The hero [of a narrative] must be male, regardless of the gender of the text-image, because the obstacle, whatever its personification, is morphologically female....The hero, the mythical subject, is constructed as human being and as male; he is the active principle of culture, the establisher of distinction, the creator of differences. Female is what is not susceptible to transformation, to life or death; she (it) is an element of plot-space, a topos, a resistance, matrix and matter."

Woman, in the picture language of mythology, represents the totality of what can be known. The hero is the one who comes to know. As he progresses in the slow initiation which is life, the form of the goddess undergoes for him a series of transfigurations: she can never be greater than himself, though she can always promise more than he is yet capable of comprehending. She lures, she guides, she bids him burst his fetters. If he can match her import, the two, the knower and the known, will be released from every limitation. Woman is the guide to the sublime acme of sensuous adventure. By deficient eyes she is reduced to inferior states; by evil eyes of ignorance, she is reduced to banality and ugliness. But she is redeemed by the eyes of understanding. The hero who can taker her as she is, without undue commotion but with the kindness and assurance she requires, is potentially the king, the incarnate god, of her created world.

here, of course, we come to the one occupation of a female protagonist in literature, the one thing she can do, and by God she does it and does it and does it, over and over and over again. She is the protagonist of a Love Story.

Here’s my definition of a hero. A hero is an ordinary person given being and action by something bigger than themselves. One thing I’m sure about is I’m real ordinary. Yet I’ve had the chance to touch the lives of a lotta people.