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" "I don't believe in Jewish art. There are Jewish artists, which means, artists who are born Jewish, but that does not mean that their work is Jewish art. (translation from Dutch: Fons Heijnsbroek)
Jozef Israëls (27 January 1824 – 12 August 1911) was a Dutch painter. He was a leading senior artist of the group of landscape painters referred to as the Hague School. In Israëls' painting art the ordinary people are his dominating subject.
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No, the Dutchman is not cold, not insensitive, our people are still full of enthusiasm for what is noble and good. Holland above all! We artists, from Rembrandt to Maris, rave over our country. We find our Holland a delicious beautiful country with its meadows, its beaches, its sea, its domestic interiors, its figures, peasants, farmers, Jews, merchants, everything is similar picturesque as it is all just up for grabs. The most beautifully in the Netherlands is however Amsterdam, that delicious spacious Amsterdam, which is expressing so much and uniting so much in itself. (translation from the original Dutch: Fons Heijnsbroek)
Actually I don't have any painting at home.. ..they take away everything from me, almost before it's finished.. .That Jewish scribe there, is sold to [Dutch art-seller] Buffa, and it isn't finished at all yet. And this 'Kolen lossen' is also sold.. .Then I have here 'The Mowers' - just set up.. .And that drawing here, will be a good piece too!. .That will become a large painting: a 'Jewish Wedding' - at the moment the groom puts the ring on the finger of his bride.. ..you can't see very much yet, do you? (translation from the original Dutch: Fons Heijnsbroek)
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version in original Dutch (citaat van de tekst van Jozef Israëls, in het Nederlands): Maar ik moet u vertellen wat ik zag.. Ik was een donkere ruimte binnengetreden, verlicht door een klein langwerpig horizontaal liggend raampje,.. .Scherp sneed het licht.. ..en tekende zich af op de stenen vloer.. .Daar zat achter de tafel de joodse wetschrijver met zijn armen voorover op het perkament geleund en draaide zijn vorstelijk hoofd naar mij toe;. ..Het was een prachtig hoofd, fijn en doorschijnend bleek als albast, rimpels, grote en kleine, liepen langs de kleine ogen en om de grote gekromde haviksneus. Een zwart kapje bedekte de witte schedel en een lage witgele baard lag in grote vlokken over het beschreven perkament.. ..twee krukken lagen naast hem schuin op de grond. Hoe gaarne had ik mijn schetsboek voor de dag gehaald,. ..maar voor de starende blik van de wetschrijver durfde ik mijn voornemen niet ten uitvoer te brengen.