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Speaking involves inflection, it involves an understanding of the language. Too many young people today play their instruments most wonderfully – they have such command of their instrument – but it’s as though they’re speaking a foreign language, phonetically. They pronounce all the words, but they have no idea of what they’re saying. And I think that’s one of the big differences between the great artists of the time and this level of expertise that is constantly expanding and rising. As I’ve said for a long time, the level of mediocrity is constantly rising.

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I probably won’t play a song the same way tomorrow as I play it today. Only a pitchman says the same thing the same way twice, without varying a word. If music is a language, why don’t people use it with the same subtlety, nuance, and facility as they do the spoken language? Probably because they don’t verbalize with the same vocabulary and tone they once did. It has been said that a people’s character is reflected in their music. Our culture is a perfect example. If people here walk around using one-syllable words with no color, no variety, no shading, how can we expect our musical language to be any different? It’s like the emperor’s new clothes – sure they can sit and make wild noises on their synthesizers and call it music – who questions? But ask them to pull up a chair and play ‘Gal in Calico’ or Temptation,’ or even a straight dramatic version of ‘The Star-Spangled Banner’ and they can’t do it. They’re too pretentious. They can’t just play songs.

Language is a gift that puts lyrics to the music of our lives. Without spoken language we wouldn’t be able to say, ‘I love you’. We’d have to say ‘uuurrrgghh’ or hold up a sign. And whether it’s one person’s gentle English or another’s muddy, arrogant French, it’s our language that makes us unapproachable and difficult to understand.

Singing is a very crucial tool for delivering the art I create, but it is not the main one. All the words and melodies that come to me have a need to be sung out so that’s how I got into it and I’ve been working hard on upgrading my skills over the past couple of months. I don’t want to be the world’s best singer though, I believe the feels are more important in a piece of music.

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What I want people to engage in, and people already do so, is not only in what others are telling us and what we're telling the others, but in the music that we engage in when we speak. And where that music comes from, language is character, is individual character, is collective character. Language is history too...When we're listening to somebody who doesn't speak exactly like us, it's easy to demonize them, to think that they are less worthy than us. But in the end, we come from that background. We come from others that didn't have the language that we have today. And if we can see the versions, the iterations of the past, in those words, in that music, I think we're going to be more sensitive, compassionate and humble.

He would grab his fiddle and with one pass of his bow, just one mind you, the fiddle would begin to speak. What do I mean by “speak”? I mean literally, with words, with a tongue like, excuse the comparison, a living human being. Talking, arguing, singing mournfully in the Jewish fashion with such a wild cry from deep inside, from the very soul.

Speech has arisen through the need for expression. Certain factors have contributed to making it the paramount utilitarian method of expression. There are ideas and things expressible in words, but there are ideas better expressed in music, the person with no musical ear, or without discipline in the language of music, lacks the key to the door of the world of musical experience. But we live in a world of volume and space; it is hard to conceive of the person who is space-blind or volume-deaf. The great majority of people have the means of approach to plastic beauty as part of their natural equipment. The teacher can develop this natural endowment as Necessity, the greatest teacher, has developed speech.

I was thinking a while ago, Johnny, that half the trouble in the world is caused by the difficulty we have in communicating with each other. It's practically impossible to say what you really mean and to be sure that the other person is understanding you. Word communication is dependent on reason and logic but there are many things in life that are not reasonable or logical. A jazz musician can say something to me in his music but it would be quite beyond me to translate into words what he is communicating through music. What he has to say touches the most vital part of my life but I can only acknowledge his message silently.

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