It had been so silent in the wake of that commotion, a kind of potent silence that seemed to contain everything. The songs of the birds and the creak of the trees. The dying snow and the unseen gurgling water. The glimmering sun. The certain sky. The gun that didn't have a bullet in its chamber. And the mother. Always the mother. The one who would never come to me.

It was silent in the forest. There were no birds, but the smell of the trees and flowers was magnificent. We couldn't hear anything. There was nothing to hear. The silence was horrifying because we knew that there was shooting going on and people screaming and crying, that it was a slaughterhouse out there. But here there were bluebells, hazelwood, daisies, and other flowers, very pretty, very colorful. That was what was so horrifying-just as horrifying as waiting for the thundering of the train, as horrifying as wondering whom they had taken. ("Jean-Christophe")

Everything ceased. She listened hard. Nothing, nothing, nothing. But she could feel the calm breathing of the night. She put on her mother’s mitts, took the ax, stepped out the door. Outside, there was resounding silence. The black sky was a poem beyond meaning.

Beyond the fence the forest stood up spectrally in the moonlight, and through the dim stir, through the faint sounds of that lamentable courtyard, the silence of the land went home to one's very heart - its mystery, its greatness, the amazing reality of its concealed life.

Why should I have been surprised?
Hunters walk the forest
without a sound.
The hunter, strapped to his rifle,
the fox on his feet of silk,
the serpent on his empire of muscles — all move in a stillness,
hungry, careful, intent.
Just as the cancer
entered the forest of my body,
without a sound.

SUCH SILENCE As deep as I ever went into the forest I came upon an old stone bench, very, very old, and around it a clearing, and beyond that trees taller and older than I had ever seen. Such silence! It really wasn’t so far from a town, but it seemed all the clocks in the world had stopped counting. So it was hard to suppose the usual rules applied. Sometimes there’s only a hint, a possibility. What’s magical, sometimes, has deeper roots than reason. I hope everyone knows that. I sat on the bench, waiting for something. An angel, perhaps. Or dancers with the legs of goats. No, I didn’t see either. But only, I think, because I didn’t stay long enough.

The silence in the giant redwood forest near my house draws me...At eight in the morning, the great trees stand rooted in a silence so absolute that one's inmost self comes to rest. An aged silence. Some mornings I sleep through two alarms and awaken only after the first buses have arrived. I go anyway. There are hundreds of people in the woods before me. People speaking French, German, Spanish; people marveling to each other and calling to their children in Japanese, Swedish, Russian, and some languages I do not know. And children shrieking in the universal language of childhood. But the silence is always there, unchanged. It is as impervious to these passing sounds as the trees themselves.

Then a silence fell between them. She had ceased to lean against him, and he missed the cosy friendliness of it. Now that their voices and the cawings of the rooks had ceased, there was nothing heard but the dry rustle of the leaves, and the plaintive cry of a buzzard hawk hunting over the little tor across the river. There were nearly always two up there, quartering the sky. To the boy it was lovely, that silence — like Nature talking to you — Nature always talked in silences.

The beasts, the birds, the insects, only really showed themselves when you were still; you had to be awfully quiet, too, for flowers and plants, otherwise you couldn't see the real jolly separate life there was in them. Even the boulders down there, that old Godden thought had been washed up by the Flood, never showed you what queer shapes they had, and let you feel close to them, unless you were thinking of nothing else.

There’s the silence of woodland. Clumps and groves of trees form shifting, uncertain walls around us. We walk along existing paths, narrow winding strips of beaten earth. We quickly lose our sense of direction. That silence is tremulous, uneasy.

I did not want to think about people. I wanted the trees, the scents and colors, the shifting shadows of the wood, which spoke a language I understood. I wished I could simply disappear in it, live like a bird or a fox through the winter, and leave the things I had glimpsed to resolve themselves without me.

"From the vast, invisible ocean of moonlight overhead fell, here and here, a slender, broken stream that seemed to plash against the intercepting branches and trickle to earth, forming small white pools among the clumps of laurel. But these leaks were few and served only to accentuate the blackness of his environment, which his imagination found it easy to people with all manner of unfamiliar shapes, menacing, uncanny, or merely grotesque.

He to whom the portentous conspiracy of night and solitude and silence in the heart of a great forest is not an unknown experience needs not to be told what another world it all is - how even the most commonplace and familiar objects take on another character. The trees group themselves differently; they draw closer together, as if in fear. The very silence has another quality than the silence of the day. And it is full of half-heard whispers, whispers that startle - ghosts of sounds long dead. There are living sounds, too, such as are never heard under other conditions: notes of strange night birds, the cries of small animals in sudden encounters with stealthy foes, or in their dreams, a rustling in the dead leaves - it may be the leap of a wood rat, it may be the footstep of a panther. What caused the breaking of that twig? What the low, alarmed twittering in that bushful of birds? There are sounds without a name, forms without substance, translations in space of objects which have not been seen to move, movements wherein nothing is observed to change its place. Ah, children of the sunlight and the gaslight, how little you know of the world in which you live! ("A Tough Tussle")"

"The day my mother died I wrote in my journal, "A serious misfortune of my life has arrived." I suffered for more than one year after the passing away of my mother. But one night, in the highlands of Vietnam, I was sleeping in the hut in my hermitage. I dreamed of my mother. I saw myself sitting with her, and we were having a wonderful talk. She looked young and beautiful, her hair flowing down. It was so pleasant to sit there and talk to her as if she had never died. When I woke up it was about two in the morning, and I felt very strongly that I had never lost my mother. The impression that my mother was still with me was very clear. I understood then that the idea of having lost my mother was just an idea. It was obvious in that moment that my mother is always alive in me.

I opened the door and went outside. The entire hillside was bathed in moonlight. It was a hill covered with tea plants, and my hut was set behind the temple halfway up. Walking slowly in the moonlight through the rows of tea plants, I noticed my mother was still with me. She was the moonlight caressing me as she had done so often, very tender, very sweet... wonderful! Each time my feet touched the earth I knew my mother was there with me. I knew this body was not mine but a living continuation of my mother and my father and my grandparents and great-grandparents. Of all my ancestors. Those feet that I saw as "my" feet were actually "our" feet. Together my mother and I were leaving footprints in the damp soil.

From that moment on, the idea that I had lost my mother no longer existed. All I had to do was look at the palm of my hand, feel the breeze on my face or the earth under my feet to remember that my mother is always with me, available at any time."

It was not the sense that something had been there. It was the sense that something was still there, palpable but not visible. A sense (and now he thought he was really losing his mind) that the forest was grieving, or that something in it was dying…a feeling, if he had to name it, that evil had been there.

I lay down in the mother ash dirt among the crocuses and told her it was okay. That I'd surrendered. That since she died, everything had changed. Things she couldn't have imagined and wouldn't have guessed. My words came out low and steadfast. I was so sad it felt as if someone were choking me, and yet it seemed my whole life depended on my getting those words out. She would always be my mother, I told her, but I had to go. She wasn't there for me in that flowerbed anymore anyway, I explained. I'd put her somewhere else. The only place I could reach her. In me.