George Eliot, English novelist, essayist, poet and journalist (1819–1880)
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If readers discount certain topics as unworthy of their attention, if readers are going to judge a book by its cover or feel excluded from a certain kind of book because the cover is, say, pink, the failure is with the reader, not the writer. To read narrowly and shallowly is to read from a place of ignorance,
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The more I think about it, the more I am convinced that a cover is a sort of translation, that is, an interpretation of my words in another language — a visual one. It represents the text, but isn't part of it. It can't be too literal. It has to have its own take on the book.
Like a translation, a cover can be faithful to at the book, or it can be misleading. In theory, like a translation, it should be in the service of the book, but this dynamic isn't always the case.
[B]ooks—there is a good kind of a book and a bad kind of a book. I am not to assume that you are all ill acquainted with this; but I may remind you that it is a very important consideration at present. It casts aside altogether the idea that people have that if they are reading any book—that if an ignorant man is reading any book, he is doing rather better than nothing at all.
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