I write about violence as naturally as Jane Austen wrote about manners. Violence shapes and obsesses our society, and if we do not stop being violent we have no future. People who do not want writers to write about violence want to stop them writing about us and our time. It would be immoral not to write about violence.

Acts of violence enter my poems because we live in a violent world.

I want be a writer

We shall be told: what can literature possibly do against the ruthless onslaught of open violence? But let us not forget that violence does not live alone and is not capable of living alone: it is necessarily interwoven with falsehood. Between them lies the most intimate, the deepest of natural bonds. Violence finds its only refuge in falsehood, falsehood its only support in violence. Any man who has once acclaimed violence as his METHOD must inexorably choose falsehood as his PRINCIPLE. At its birth violence acts openly and even with pride. But no sooner does it become strong, firmly established, than it senses the rarefaction of the air around it and it cannot continue to exist without descending into a fog of lies, clothing them in sweet talk. It does not always, not necessarily, openly throttle the throat, more often it demands from its subjects only an oath of allegiance to falsehood, only complicity in falsehood.

Writing is an act of nonviolence, but it’s very active, very aggressive, but you’re not setting off bombs or guns. Just using the pen. It’s like shouting and getting your voice heard and the range is worldwide. You might not be able to stop a war right now, but the words can go out and influence the atmosphere and the world, way into the future.

I want to write books that unlock the traffic jam in everybody's head.

I suppose I try and write in blood a lot of the time. I suppose a lot of it is violent in that if I get angry about something, I don't try to hide it.

The question that comes up when you write about trauma is, are you retraumatizing? Are you retraumatizing by writing about trauma? That’s a good question. I remember the writer, poet Meridel Le Sueur, social activist in the ‘30, calling to tell me when I was a young woman, she said: “I wrote so beautifully about terrible things that happened. And was I wrong to do that?

Violence shouldn't be presented as drama. I think people looking for an easy way out often write scenes where characters come into violent conflict as opposed to looking for the true drama in the situation. That's a shortcoming of a lot of films and television shows. I think certain presentations of violence are not immoral, but amoral.

Violence as a tool is already operating in the world before anyone takes it up: that fact alone neither justifies nor discounts the use of the tool. What seems most important, however, is that the tool is already part of a practice, presupposing a world conducive to its use; that the use of the tool builds or rebuilds a specific kind of world, activating a sedimented legacy of use. When any of us commit acts of violence, we are, in and through those acts, building a more violent world.

What inspires me to write, is to be able to speak truthfully about what I see and the things that concern me. So it’s not just my eyes are open and therefore, whatever strikes my eye I want to write about it, but there are these concerns about… for example I’m very interested in the way people can retrieve something from trauma, so I’m thinking not only of asylum seekers or refugees, but also of life, of the way people in life are able to get something out of mischance, out of traumatic events. I’ve always been interested in the way families work, particularly the way both power and kindness go along together. Of course, most families love each other, but at the same time there are, what seem like power struggles going on within families. I’m interested in writing about that and the complexity of that and how out of kindness a kind of a sort of unkindness comes as well – requiring obedience that you don’t shame us by doing this, or by doing that. Particularly, I’m thinking of the way women are treated, in our culture anyway, and in many other cultures. Those are the kinds of things that make me want to write. Things that, as I say, my sense of this needs to be spoken about. I need to say something about this. And of course also the other thing that makes me want to write is to create something which is beautiful and pleasurable.

Violence is a fact of life in today’s society and therefore it has its place in books and films, but I strongly believe that the people who create those books and films have a duty to treat the subject seriously and to show the terrible consequences.

I suppose it was that day that convinced me I should enter politics and speak out against the violence that was so prevalent in our society.

My multiple identities empower me to fashion my writing into an effective weapon fighting against injustices meted out by holders of abusive power onto underprivileged groups in society.