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At night, when the objective world has slunk back into its cavern and left dreamers to their own, there come inspirations and capabilities impossible at any less magical and quiet hour. No one knows whether or not he is a writer unless he has tried writing at night.

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Strange things happen to creativity at dusk and dawn, hence so many writers work in the early morning or late at night. The edges of the day are thin places, the conscious mind is not fully awake and the subconscious can bleed through, Arthur Koestler called it "the marshy shore"

Darkness and the fact that the whole world is asleep brings a kind of quietness, and makes time softer, neutralizing the positive vibrations of humanity that abound in daylight. It is easier then to convince myself for several hours that the solitude I must have in order to write is inviolable.

Writing … is an addiction, an illusory release, a presumptuous taming of reality, a way of expressing lightly the unbearable. That we age and leave behind this litter of dead, unrecoverable selves is both unbearable and the commonest thing in the world — it happens to everybody. In the morning light one can write breezily, without the slight acceleration of one’s pulse, about what one cannot contemplate in the dark without turning in panic to God. In the dark one truly feels that immense sliding, that turning of the vast earth into darkness and eternal cold, taking with it all the furniture and scenery, and the bright distractions and warm touches, of our lives. Even the barest earthly facts are unbearably heavy, weighted as they are with our personal death. Writing, in making the world light — in codifying, distorting, prettifying, verbalizing it — approaches blasphemy.

The writer given to rereading his or her past work is a writer in danger. Once you begin to mumble among your souvenirs you're through. Any writer who is properly a writer is working as long as he is alive or awake. It is virtually impossible for a writer to ride in the subway or on a bus, walk on the street or down a country road, telephone, read a book, talk, listen, breathe, without consciously or unconsciously sustaining the act of writing, in his mind at least. The analytical creative mind goes click-click-click while it is awake-and sometimes while it is asleep. It makes the writer's life interesting but somewhat feverish. Frequently one wishes it were possible to turn off the machinery that is eternally registering, collecting, discarding, filing. Writers are a tired lot, for the most part; and no wonder. It would be pleasant to know that these stories, some born long ago, others still young, have the strength and vitality to make new friends and even to renew old friendships. The writer herself is fond of them, or they would not be here. But the feeling is much that of a parent whose sons and daughters have married and gone off into the world. There they are, on their own at last, sink or swim, live or die. The author is finished with them, everything she can do for them has been done. And a new infant, not yet strong enough to walk alone, waits to be shown a way of life.

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If I lose the light of the sun, I will write by candlelight, moonlight, no light. If I lose paper and ink, I will write in blood on forgotten walls. I will write always. I will capture nights all over the world and bring them to you

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