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An American cannot converse, but he can discuss, and his talk falls into a dissertation. He speaks to you as if he was addressing a meeting; and if he should chance to become warm in the discussion, he will say "Gentlemen" to the person with whom he is conversing.

Similarly, Alexis de Tocqueville, the famous French political philosopher and sociologist, in his classic Democracy in America, written after a lengthy visit in the 1830s, saw equality, not majority rule, as the outstanding characteristic of America. “In America,” he wrote, the aristocratic element has always been feeble from its birth; and if at the present day it is not actually destroyed, it is at any rate so completely disabled, that we can scarcely assign to it any degree of influence on the course of affairs.

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"More than a century before Mills and Nisbet, Alexis de Tocqueville had remarked upon the uneasiness of the citizens of the young republic, who "are apt to imagine that their whole destiny is in their hands", an attitude that "throws him back forever upon himself alone and threatens to confine him entirely within the solitude of his own heart".

The result of this attitude was the peculiar paradox of the American character. While residents of the Old World, in far less advantageous circumstances, tended not to dwell on their misfortunes, Tocqueville found that Americans "are forever boding over advantages they do not possess . . . It is strange to see with what feverish ardor the Americans pursue their own welfare, and to watch the vague dread that constantly torments them lest they should not have chosen the shortest path which may lead to it"."

Early on de Tocqueville correctly observed that this democracy was one in which “men are seldom forced by it to act, but they are constantly restrained from acting. Such a power does not destroy, but it prevents existence; it does not tyrannize, but it compresses, enervates, extinguishes, and stupefies a people, ’til each nation is reduced to be nothing better than a flock of timid and industrious animals.…” (my italics).

Tocqueville certainly wants to be meticulous in his research and accurate in his facts. He makes pointed reference to all the archives he has visited and is manifestly concerned about establishing his narrative and analytic authority. But he is also preoccupied with the problem of proximity and distance in his relation to his subject matter. And he does at times question himself, change voices, and make explicit but modulated use of irony, parody, and other rhetorical devices. Tocqueville thus enacts one form of dialogic exchange with the past, a form in some instances so pronounced that it may disconcert more conventional historians who might otherwise find congenial his methodology, his balanced and often mellifluous style, and his basic conception of historical discourse. He also manifests a tension between a desire for objectivity and an involvement or implication in the events he treats. At certain times his voice is explicitly normative and performative, particularly with reference to his desire to give his defence of liberty implications for the present and future.

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Otto, for example, whose book on Dionysus appeared in Germany in 1933.10 Otto stands opposed in this respect to the French Hellenist Jean-Pierre Vernant, who is incapable of seeing anything other than the “normal.” Vernant finds the very idea of disorder absolutely shocking. He's just written an essay on Tocqueville that I would like to read. If ever there was a mimetic author, it's Tocqueville; and if there is a true science of politics, it begins with Tocqueville. It's only in the second volume of Democracy in America that Tocqueville really comes into his own, by the way. He was the first to perceive the difference between democracy and monarchy, which he rightly saw as being based on a unique kind of sacrificial animal, the king. Democracy, although it contains as many obstacles as there are individuals in society, leads people to believe that there are no more obstacles, because the king has been overthrown. No one before Tocqueville saw that, to the contrary, if the shadow of the cripple is no longer cast over the world, it is because the world is on its way to becoming a cemetery. MSB

If I do not speak in a language that can be understood there is little chance for a dialogue.

"I can only speak to myself." (Bush, 2005).

"I can only speak to myself." (Bush, George W.; 2005).

The most un-American thing you can say is, 'You can't say that.

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