Herman Melville, American writer and poet (1819–1891)
16 Quotes Tagged: allegory
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If a writer of prose knows enough about what he is writing about he may omit things that he knows and the reader, if the writer is writing truly enough, will have a feeling of those things as strongly as though the writer had stated them. The dignity of movement of an ice-berg is due to only one-eighth of it being above water. A writer who omits things because he does not know them only makes hollow places in his writing. A writer who appreciates the seriousness of writing so little that he is anxious to make people see he is formally educated, cultured or well-bred is merely a popinjay. And this too remember; a serious writer is not to be confounded with a solemn writer. A serious writer may be a hawk or a buzzard or even a popinjay, but a solemn writer is always a bloody owl.
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"In the last month of winter," she began, almost as though she were talking only to the cat at her feet, "which is the first of spring, the ice on the river, which had been solid and could bear weight, broke up and floated away in great clashing chunks, which makes a pretty sight.
"The ice asked: How is it that the river could accomplish such a thing? And the river might answer: Ice set itself a task it could not finish, and all that was left undone remained the river; and for the undoing of what you did do, well, it wasn't I at all but time and changes, and I am left.
This philistinism of interpretation is more rife in literature than in any other art. For decades now, literary critics have understood it to be their task to translate the elements of the poem or play or novel or story into something else. Sometimes a writer will be so uneasy before the naked power of his art that he will install within the work itself - albeit with a little shyness, a touch of the good taste of irony - the clear and explicit interpretation of it. Thomas Mann is an example of such an overcooperative author. In the case of more stubborn authors, the critic is only too happy to perform the job.
Once there were brook trout in the streams in the mountains. You could see them standing in the amber current where the white edges of their fins wimpled softly in the flow. They smelled of moss in your hand. Polished and muscular and torsional. On their backs were vermiculate patterns that were maps of the world in its becoming. Maps and mazes. Of a thing which could not be put back. Not be made right again. In the deep glens where they lived all things were older than man and they hummed of mystery.
When I opened my eyes I saw nothing but the pool of nocturnal sky, for I was lying on my back with out-stretched arms, face to face with that hatchery of stars. Only half awake, still unaware that those depths were sky, having no roof between those depths and me, no branches to screen them, no root to cling to, I was seized with vertigo and felt myself as if flung forth and plunging downward like a diver.
"A Mixed-breed Apple"
A little mixed-breed apple,
half red, half yellow, tells this story.
A lover and beloved get separated.
Their being apart was one thing,
but they have opposite responses.
The lover feels pain and grows pale.
The beloved flushes and feels proud.
I am a thorn next to my master's rose.
We seem to be two, but we are not.