12 Quotes Tagged: dictionary

I was reading the dictionary, I thought it was a poem about everything

The dictionary is based on the hypothesis — obviously an unproven one — that languages are made up of equivalent synonyms.

The struggle of literature is in fact a struggle to escape from the confines of language; it stretches out from the utmost limits of what can be said; what stirs literature is the call and attraction of what is not in the dictionary.

Dictionary: The universe in alphabetical order.

"That does it," said Jace. "I'm going to get you a dictionary for Christmas this year."
"Why?" Isabelle said.
"So you can look up 'fun.' I'm not sure you know what it means."

Novel: A small tale, generally of love.

The problem with the alphabet is that it bears no relation to anything at all, and when words are arranged alphabetically they are uselessly separated. In the OED, for example, aardvarks are 19 volumes away from the zoo, yachts are 18 volumes from the beach, and wine is 17 volumes from the nearest corkscrew.

"LEXICOGRAPHER, n. A pestilent fellow who, under the pretense of recording some particular stage in the development of a language, does what he can to arrest its growth, stiffen its flexibility and mechanize its methods. For your lexicographer, having written his dictionary, comes to be considered "as one having authority," whereas his function is only to make a record, not to give a law. The natural servility of the human understanding having invested him with judicial power, surrenders its right of reason and submits itself to a chronicle as if it were a statue. Let the dictionary (for example) mark a good word as "obsolete" or "obsolescent" and few men thereafter venture to use it, whatever their need of it and however desirable its restoration to favor — whereby the process of improverishment is accelerated and speech decays. On the contrary, recognizing the truth that language must grow by innovation if it grow at all, makes new words and uses the old in an unfamiliar sense, has no following and is tartly reminded that "it isn't in the dictionary" — although down to the time of the first lexicographer (Heaven forgive him!) no author ever had used a word that was in the dictionary. In the golden prime and high noon of English speech; when from the lips of the great Elizabethans fell words that made their own meaning and carried it in their very sound; when a Shakespeare and a Bacon were possible, and the language now rapidly perishing at one end and slowly renewed at the other was in vigorous growth and hardy preservation — sweeter than honey and stronger than a lion — the lexicographer was a person unknown, the dictionary a creation which his Creator had not created him to create."

Human suffering has been caused because too many of us cannot grasp that words are only tools for our use.

The mere presence in the dictionary of a word like 'living' does not mean it necessarily has to refer to something definite in the real world.

"The Hitch Hiker's Guide to the Galaxy offers this definition of
the word "Infinite".
Infinite: Bigger than the biggest thing ever and then some.
Much bigger than that in fact, really amazingly immense, a
totally stunning size, "wow, that's big", time. Infinity is just so
big that by comparison, bigness itself looks really titchy.
Gigantic multiplied by colossal multiplied by staggeringly
huge is the sort of concept we're trying to get across here."

(Sartre) (The world is full without me, as in Nausea; the world plays at living behind a glass partition; the world is in an aquarium; I see everything close up and yet cut off, made of some other substance; I keep falling outside myself, without dizziness, without blue, into precision.

No writer ever knows enough words but he doesn’t have to try to use all that he does know. Tests would show that I had an enormous vocabulary and through the years it must have grown, but I never had a desire to display it in the way that John Updike or William Buckley or William Safire do to such lovely and often surprising effect. They use words with such spectacular results; I try, not always successfully, to follow the pattern of Ernest Hemingway who achieved a striking style with short familiar words. I want to avoid calling attention to mine, judging them to be most effective as ancillaries to a sentence with a strong syntax.
My approach has been more like that of Somerset Maugham, who late in life confessed that when he first thought of becoming a writer he started a small notebook in which he jotted down words that seemed unusually beautiful or exotic, such as chalcedony, for as a novice he believed that good writing consisted of liberally sprinkling his text with such words. But years later, when he was a successful writer, he chanced to review his list and found that he had never used even one of his beautiful collection. Good writing, for most of us, consists of trying to use ordinary words to achieve extraordinary results.
I struggle to find the right word and keep always at hand the largest dictionary my workspace can hold, and I do believe I consult it at least six or seven times each working day, for English is a language that can never be mastered.* [*Even though I have studied English for decades I am constantly surprised to find new definitions I have not known: ‘panoply’ meaning ‘a full set of armor’, ‘calendar’ meaning ‘a printed index to a jumbled group of related manuscripts or papers’. — Chapter IX “Intellectual Equipment”, page 306