Czech writer (1890–1938)
Karel Čapek (January 9, 1890 – December 25, 1938) was a Czech author and playwright, who introduced and made popular the word robot as a word for artificial human beings, which first appeared in his play R.U.R. (Rossum's Universal Robots) in 1920.
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Gentlemen, four-fifths of the earth's surface is covered by seas; that is unquestionably too much; the world's surface, the map of oceans and dry land, must be corrected. We shall give the world the workforce of the sea, gentlemen. This will no longer be the style of Captain van Toch; we shall replace the adventure story of pearls by the hymnic paean of labour.
The most terrible struggle in our recent history is being played out. It is not only a struggle for our land, it is a struggle for our soul.... A thousand years of tradition suffice for a nation to learn once and for always these two things: to defend its existence, and with all its heart and all its strength to stand on the side of peace and liberty.
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A já vám něco povím: To, čemu říkáme náš život, to není všecko, co jsme prožili; je to jen výběr. Toho, co prožíváme, je příliš mnoho, víc než nač stačí náš rozum. Proto si jen vybíráme to a ono, co se nám hodí, a jaksi z toho upleteme takový zjednodušený děj; a tomu výrobku říkáme náš život. Ale co odpadků přitom necháváme, co divných a strašných věcí pomíjíme, kristepane, kdyby to si člověk uvědomil! Ale my můžeme žít jen jeden jednoduchý život. Bylo by nad naši sílu prožít víc. Neměli bychom sílu nést život, kdybychom nepoztráceli cestou většinu života.
"In short, it was entirely natural that the newts stopped being a sensation, even though there were now as many as a hundred million of them; the public interest they had excited had been the interest of a novelty. They still appeared now and then in films (Sally and Andy, the Two Good Salamanders) and on the cabaret stage where singers endowed with an especially bad voice came on in the role of newts with rasping voices and atrocious grammar, but as soon as the newts had become a familiar and large-scale phenomenon the problems they presented, so to speak, were of a different character. (13) Although the great newt sensation quickly evaporated it was replaced with something that was somewhat more solid - the Newt Question. Not for the first time in the history of mankind, the most vigorous activist in the Newt Question was of course a woman. This was Mme. Louise Zimmermann, the manager of a guest house for girls in Lausanne, who, with exceptional and boundless energy, propagated this noble maxim around the world: Give the newts a proper education! She would tirelessly draw attention both to the newts' natural abilities and to the danger that might arise for human civilisation if the salamanders weren't carefully taught to reason and to understand morals, but it was long before she met with anything but incomprehension from the public. (14) "Just as the Roman culture disappeared under the onslaught of the barbarians our own educated civilisation will disappear if it is allowed to become no more than an island in a sea of beings that are spiritually enslaved, our noble ideals cannot be allowed to become dependent on them," she prophesied at six thousand three hundred and fifty seven lectures that she delivered at women's institutes all over Europe, America, Japan, China, Turkey and elsewhere. "If our culture is to survive there must be education for all. We cannot have any peace to enjoy the gifts of our civilisation nor the fruits of our culture while all around us
To je báječná výhoda, že my nemáme žádné mořské břehy, víš? Kdo má dnes moře, je chudák.” “Ale když teď jde moře až k Drážďanům – –” “Tam jsou Němci,” prohlásil starý pán odmítavě. “To je jejich věc. Ale k nám Mloci nemůžou, to dá rozum. To by museli nejdřív odklidit ty skály; a nemáš ponětí, jaká by to byla práce!
Něco antika neměla; to, co máme my severním podnebím, ten teplý poměr k domu, ke krbu, k rodině, k ženě, k dětem; Řekům a Římanům chybí naše zima, nevědí, co je to sedět v teple, děti kolem matky a babičky. Antický člověk politizovat a filozofoval na ulici; my se zavřeme doma a můžeme špekulovat nad knihami.
S aztán még virítani kezd a lomb. Sárgán, bíborvörösen, rozsdaszínben, narancspirosan, paprikavörösen, vörösbarnán pompáznak az őszi levelek, vörösek, narancsszínűek, feketék, kékesen hamvasak a bogyók, sárgállik, vöröslik, fakó fehéren fénylik a csupasz vesszők fája - ó, még nincs vége mindennek! S amikor már leesett az első hó, itt lesznek még a sötétzöld téli magyalbokrok a tűzpiros termésükkel, meg a feketefenyők, a hamisciprusok és a tiszafák - soha nincs vége semminek.
Mondom nektek, nincsen halál, és nincs téli álom sem. Csak növünk egyik időszakból a másikba. Türelem kell az élethez, mert az élet örök.
Each factory will be making Robots of a diťferent color, a different nationality, a different tongue; that they'll all be different — as different from one another as fingerprints; that they'll no longer be able to conspire with one another; and ... we, we people will help to foster their prejudices and cultivate their mutual lack of understanding, you see? So that any given Robot, to the day of its death, right to the grave, will forever hate a Robot bearing the trademark of another factory... Thunder, we'll make Black Robots and Swedish Robots and Italian Robots and Chinese Robots, and then let someone try to drive the notion of brotherhood into the noggin of their organization...
O Adam, Adam! no longer will you have to earn your bread by the sweat of your brow; you will return to Paradise where you were nourished by the hand of God. You will be free and supreme; you will have no other task, no other work, no other cares than to perfect your own being. You will be the master of creation.
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